Miles Davis - Miles At Newport 1955-1975 (Bootleg Series 4) vinyl record cover

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July 17, 1955, Newport Jazz Festival - Spoken Introductions By Duke Ellington And Gerry Mulligan

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Hackensack

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`Round Midnight

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Now's The Time

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July 3, 1958, Newport Jazz Festival - Spoken Introduction By Willis Connover

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Ah-Leu-Cha

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Straight, No Chaser

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Fran-Dance

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Two Bass Hit

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Bye Bye Blackbird

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The Theme

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July 4, 1966, Newport Jazz Festival - Gingerbread Boy

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All Blues

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Stella By Starlight

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R.J.

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Seven Steps To Heaven

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The Theme / Closing Announcement by Leonard Feather

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July 2, 1967, Newport Jazz Festival - Spoken Introduction By Del Shields

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Gingerbread Boy

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Footprints

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`Round Midnight

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So What

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The Theme / Closing Announcement by Leonard Feather

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July 5, 1969, Newport Jazz Festival - Miles Runs The Voodoo Down

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Sanctuary

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It's About That Time / The Theme

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November 1, 1973, Newport Jazz Festival - Spoken Introduction by Ronnie Scott / Band Warming Up

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Turnaroundphrase

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Tune In 5

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Ife

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Untitled Original

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Tune In 5 / Closing Announcement by Ronnie Scott July 1, 1975, Newport Jazz Festival

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Mtume

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October 22, 1971, Newport Jazz Festival In Europe - Directions

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What I Say

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Sanctuary

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It's About That Time

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Bitches Brew

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Funky Tonk

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Sanctuary


Item UPC: 8719262035744

Date First Available:

Label: MUSIC ON VINYL

Miles Davis

Miles At Newport 1955-1975 (Bootleg Series 4)


ABOUT THE ALBUM


Miles At Newport 1955-1975 - The Bootleg Series Vol. 4 is available as a deluxe 8LP box set, housed in a lift-off box. The set includes printed innersleeves, a mini poster of Miles, and a 12-page booklet with extensive liner notes and rare photos. The 8-LP box set Miles At Newport 1955-1975 - The Bootleg Series Vol. 4 features of live performances by Miles' stellar band lineups from 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975, in Newport, Rhode Island, New York City, Berlin, and Switzerland. From Miles' debut performance at NJF in 1955 (a hastily arranged jam session featuring Thelonious Monk and Gerry Mulligan), to his final public performance of the '70s in 1975, the box set traces the ascendance of Miles' music as the jazz superstar he has become known to be. The full-length concert performances alone of Miles' famed "Kind Of Blue" Sextet (with Cannonball Adderley, John Coltrane, Bill Evans, Paul Chambers, and Jimmy Cobb), and second great quintet in '66 and '67 (with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams) represent templates that reverberate in jazz and popular music to this day.

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