Plural Ensemble - Philip Cashian: Chamber Cons vinyl record cover

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Ametsak for Piccolo, Bass Clarinet, Violin, Violoncello and Piano-Ametsak 1

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Ametsak for Piccolo, Bass Clarinet, Violin, Violoncello and Piano-Ametsak 2

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Ametsak for Piccolo, Bass Clarinet, Violin, Violoncello and Piano-Ametsak 3

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Trance for Large Ensemble

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Izaro for Flute, Clarinet, Violin, Violoncello and Piano

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Orreaga for Mixed Septet

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Tomba Del Tuffatore for Flute, Clarinet and Piano


Item UPC: 8436597701167

Date First Available:

Label: IBS CLASSICAL

Plural Ensemble

Philip Cashian: Chamber Cons

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ABOUT THE ALBUM


Philip Cashian (born Manchester, 1963) is one of the most distinctive voices in contemporary British music, widely recognised for a style that combines rhythmic urgency with luminous harmonic writing. His music has been described as "an uncompromising reflection of the modern world," characterised by tightly worked motivic ideas, striking instrumental colour, and a constant tension between propulsion and stillness.Trained at the Guildhall School of Music and Drama with Oliver Knussen and Simon Bainbridge, and later with Lukas Foss at Tanglewood, Cashian has developed a language that is both intellectually rigorous and immediately physical in it's impact. This recording brings together key chamber and concertante works spanning nearly three decades, framed by the two Chamber Concertos (1995 and 2024), written twenty-nine years apart. Both pieces explore the rich possibilities of instrumental combination within a chamber ensemble, giving prominence to extended solo lines and concertante groupings. Between them appear two more intimate works: Dances and Nocturnes (2020), a single-movement piano quartet alternating kinetic rhythmic energy with reflective, nocturnal stillness, and The Distance of Night (2022), a restrained and deeply expressive solo piano work written in memory of Simon Bainbridge.Throughout the programme, Cashian's music reveals a fascination with visual art-particularly mid-20th-century British abstraction-as well as a highly refined sense of form and drama. The result is a compelling portrait of a composer whose music is at once rigorous, vivid, and emotionally direct.

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