
1
Drop the Bomb
2
Sex Problem
3
Ice Cream Man
4
For Emil
5
Chuck!
6
Smash the Mirror
7
No Hey...
8
New Song
9
Lost
10
Peace of My Ass
11
Mandolin
12
Sick Again
13
Velvet Pussy
14
Sex Problem
15
Drop the Bomb
16
Ice Cream Man
17
Chuck!
18
No Hey...
19
Stop
20
Smash the Mirror
21
Chuck!
22
Lost
23
For Emil
24
Mandolin
25
Showroom Dummies
26
Orphans
27
Live at Salon Zwerge
28
MS20
29
Vox Wah
30
Ice Cream Man
31
Stop
32
Smash the Mirror
33
Drop the Bomb
34
Chuck!
35
Lost
36
Mandolin
37
Sex Problem
38
Smash the Mirror
39
Smash the Mirror
40
Mic Check
41
Stop It
Item UPC: 843563153567
Date First Available:
Label: PALILALIA
Harry Pussy
You'll Never Play This Town Again
Buying from SIREN RECORDS
Vinyl
$44.99
$52.11 including shipping and handling (rates may vary)
Only in stock at this store!
ABOUT THE ALBUM
Limited double vinyl LP pressing of this set that compiles the best live and studio recordings by the final iteration of this group."60 second bursts of chaotic rock 'n' roll that barbarize whole histories of freakout style, from free jazz through classic hardcore, boogie, blues, Black Flag, Germs, most explicitly through Beefheart, but all hyper-condensed into ultra-kranky riffs that Orcutt plays at hallucinatory speed, compressing Zoot Horn Rollo style avant confusion into lighting runs and metallic two note knock-outs. Hoyos's style is so primitive that it's wildly avantgarde, with an instinctive feel for time that confounds the most advanced improvisatory strategies with the most hysterical. And her vocals are post-Yoko in the truest sense, not directly informed by her but sharing the same spontaneous energy and a-musical appeal, sometimes breaking from songs completely to expand on barely articulated vocal rants and fever pitched bouts of screaming. The whole group existed in a zone that was constantly beyond technique. The arc of their career was perfect, the mission truly accomplished, and all that's left is this amazing series of recordings, a body of work that has had a disproportionate effect on the minds, if rarely the actual sound of the underground." -David Keenan, The Wire, December 2008.
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