Shelly Manne & His Men - Here That's Manne: Sessions 1951-58 vinyl record cover

1

The Count on Rush Street

2

All of Me

3

Pooch McGooch

4

Back in Your Own Backyard

5

Slightly Brightly

6

I Don't Mean a Thing

7

The Princess of Evil

8

Deep People

9

Mallets

10

You and the Night and the Music

11

La Mucura

12

Gazelle

13

You're My Thrill

14

Fugue

15

Afrodesia

16

Sweets

17

Alternation

18

Dimension in Thirds

19

Shapes, Motion, Colors

20

Lullaby

21

Etude de Concert

22

Divertimento for Brass and Rhythm

23

Grasshopper

24

Summer Night

25

Spring Is Here

26

You're Getting to Be a Habit with Me

27

Bag's Groove

28

My Old Flame

29

The Dart Game

30

Bea's Flat

31

Parthenia

32

Bernie's Tune

33

Doxy

34

Slan

35

A Gem from Tiffany

36

Un Poco Loco

37

The Wind

38

Tommyhawk

39

Moose the Mooche

40

Pint of Blues

41

Quartet Part I

42

Quartet Part II

43

Quartet Part III

44

Quartet Part IV

45

The Gambit Part I - Queen's Pawn

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The Gambit Part II - en Passant

47

The Gambit Part III - Castling

48

The Gambit Part IV - Checkmate

49

Sophisticated Rabbit

50

Blu Gnu

51

Tom Brown's Body

52

Hugo Hurwhey


Item UPC: 8427328622516

Date First Available:

Label: IMPORTS

Shelly Manne & His Men

Here That's Manne: Sessions 1951-58


ABOUT THE ALBUM


3-CD Box set, 60-page booklet including comprehensive biography, original liner notes and cover art, rare photos, unseen memorabilia and extensive discography. Shelly Manne (1920-1984) was one of the most important drummers in jazz history. Originally a player in the Sidney Catlett mode, he came under the influence of bop in the '40s, with a style similar to Max Roach's. But a spell with Kenton and a subsequent move to California developed his playing to a high artistic level. Always a colorist, he was known to tune his drums to a definite pitch in order to play melody in the true sense of the phrase. Having joined the Lighthouse All Stars in 1952, he was by then the leading drummer of the nascent West Coast movement. After a stint with Shorty Rogers' Giants at the end of 1955, he decided to form his own quintet to play the jazz circuit, keeping the trademark name, Shelly Manne and his Men, and the group established itself among the top-line concert and club attractions on the US jazz scene. Opening with his first recordings as a leader for Dee Gee Records in 1951 (Chicago) and 1952 (Los Angeles), this collection covers both these septet sessions and the great series of all-star septet and quintet recordings made for Contemporary by Shelly Manne and His Men between 1953 and 1958. Here's that Manne.

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