Clarence Henry  Frogman - But I Do: The Complete Releases 1956-62 vinyl record cover

1

Ain't Got No Home

2

Troubles, Troubles

3

Lonely Tramp

4

I'm A Country Boy

5

I Found A Home

6

It Won't Be Long

7

Baby Baby Please

8

I'm In Love

9

I Don't Know Why (But I Do)

10

Just My Baby And Me

11

You Always Hurt The One You Love

12

Little Suzy

13

Why Can't You

14

Lonely Street

15

On Bended Knees

16

Standing In The Need Of Love

17

A Little Too Much

18

I Wish I Could Say The Same

19

Dream Myself A Sweetheart

20

Lost Without You

21

The Jealous Kind

22

Come On And Dance

23

I Want To Be A Movie Star

24

Oh, Why

25

Your Picture

26

Live It Right

27

Never, Never

28

I Love You, Yes I Do

29

Steady Date

30

Oh, Mickey


Item UPC: 824046440220

Date First Available:

Label: ACROBAT

Clarence Henry Frogman

But I Do: The Complete Releases 1956-62


ABOUT THE ALBUM


Clarence Henry was a rhythm & blues singer an pianist from New Orleans and an early disciple of Fats Domino and Professor Longhair, playing in the early '50s with Bobby Mitchell & The Toppers and the band of saxophonist Eddie Smith. When Chess A & R man Paul Gayten heard him sing his composition "Ain't Got No Home" with his trademark croak in his voice, he was signed to Chess and had a hit with his first release, although it was five years before his next success. In the period covered by this set, had had ten chart entries including Top 10 hits on both sides of the Atlantic with "I Don't Know Why (But I Do)" and "You Always Hurt The One You Love". This 30-track CD comprises the A and B sides of his singles during this era on the Argo label plus the tracks from his album "You Always Hurt The One You Love" album not otherwise released on singles. It features all his ten pop, R&B & UK chart entries from these years, including the Top 10 hits "Ain't Got No Home", "I Don't Know Why (But I Do)" and "You Always Hurt the One You Love". His music was very much inspired by and typical of the New Orleans R & B idiom, and his highly individual vocal style earned him the nickname "Frogman". This collection offers a comprehensive overview of this first era of his career, and an entertaining showcase for that distinctive approach.

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