
1
Stompin' at the Savoy
2
Things Ain't What They Used to Be
3
This Is Always
4
Thanks for the Memory
5
Tangerine
6
Stella By Starlight
7
9:20 Special
8
Deep in a Dream
9
Look for the Silver Lining
10
Seven Come Eleven
11
Arrowhead
12
Street Swingers
13
Hot Buttered Noodling
14
Musicale Du Jour
15
Raney Day
16
Jupiter
17
He's Gone Away
18
Jacob's Ladder
19
We Played at Love
20
Mother I Would Marry
21
Wandering
22
The House of the Rising Sun
23
Hold on
24
The Streets of Laredo
25
Black Is the Color
26
Dark Is the Night
27
Pretty Little Horses
28
I Gave My Love a Cherry
29
Abstraction
30
Piece for Guitar ; Strings
31
Variants on a Theme of John Lewis (Django): Variant I
32
Variant II
33
Variant III
34
Variants on a Theme of Thelonious Monk (Criss-Cross): Variant I
35
Variant II
36
Variant III
37
Variant IV
38
My Funny Valentine
39
I Hear a Rhapsody
40
Dream Gypsy
41
Romain
42
Skating in Central Park
43
Darn That Dream
44
Hold Me
45
A Primera Vez
46
Presente de Natal
47
Morning of the Carnival
48
Este Seu Olhar
49
Betaminus
50
Move It
51
All Across the City
52
Coisa Mais Linda
53
How About You
54
I've Got You Under My Skin
55
My Man's Gone Now
56
Turn Out the Stars
57
Angel Face
58
Jazz Samba
59
All Across the City
60
Capricious
61
Impromptu
62
Don't Go Down South
63
Muffle Guffle
64
Free and Oozy
65
Paraphrase
66
Empty Ballroom
67
At la Carrousel
Item UPC: 823564037028
Date First Available:
Label: ENLIGHTENMENT
ABOUT THE ALBUM
Jim Hall - The Early Albums Collection - Born in Buffalo, New York in 1930, James Stanley Hall was an American jazz guitarist, composer and arranger. Hall moved with his family to Cleveland, Ohio, during his childhood. Hall's mother played the piano, his grandfather the violin, and his uncle the guitar. Jim began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he called his "spiritual awakening". As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall's major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland Institute of Music, where he majored in composition, studying piano and bass in addition to theory. Jim Hall was a true original on the jazz spectrum, always experimenting and pushing ahead, and the albums featured on this new collection illustrate his musical prowess, innovative practices and acute talents perfectly. All originally released between 1959 and 1965, the eight records featured here in astounding re-mastered versions remain a pure delight, and this set works equally well for those new to Jim Hall's music and those already somewhat familiar. - Featuring 8 records released between 1959 and 1965, this 4CD set works equally well for those new to Jim Hall's music and those already familiar.
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