Mid Death Crisis

After returning in 2022 with his widely-acclaimed full-length album Horrifier (#8 US Top New Artist Albums), as well as several major tours supporting his solo work and celebrated Murderdolls reunion shows, world-renowned fearsome frontman WEDNESDAY 13 is back with another slew of harbingers of horror to slay the masses. His new full-length album, Mid Death Crisis, is set to drop on April 25, 2025 via Napalm Records – an album the Duke of Spook describes as a fun, campy, “leave-your-brain-at-the-door” rager and a true return to his hard-rocking roots. Drenched in heavy moods of isolation and darkness, the themes on his previous album, Horrifier, were heavily fueled by the covid pandemic. Starkly opposite, Mid Death Crisis is practically alive with gory goodness and features music written entirely by WEDNESDAY 13. Produced by guitarist Alex Kane (Life, Sex & Death, Enuff Z'Nuff, Antiproduct), the album oozes infectious 80s sleaze metal energy, further accented by a blitzing guest vocal from Faster Pussycat’s Taime Downe. Eerie introductory track “There's No Such Thing As Monsters” vibrates with electricity before industrial-tinged “Decease and Desist” kicks in full blast. WEDNESDAY 13’s trademark crooning wastes no time entering the fold as he careens through the high-octane horror anthem. “When the Devil Commands” instantly proves itself as a stunner single with an unforgettable hook, charging arena rock-laden drum production and chugging guitars, before tracks like “Rotting Away” and “Blood Storm” ensnare with metallic goth-punk energy that will have crowds moving wall to wall. Featuring Faster Pussycat’s Taime Downe on guest vocals, standout heavy rocker “No Apologies” is a fast-romping exorcism of toxic demons, while the triumphant mini-murder ballad “Decapitation” riles up listeners with a catchy lead riff before making a hard left into a theatrical bridge straight out of a sinister 60s sock hop! Ragers like “In Misery”, “Xanaxtasy” and “Sick and Violent” explore various genres of metal, injecting the album with elements of gripping heaviness for any listener, while downtempo stunners “I Hurt You” and “My Funeral” approach a more pensive territory. Although its title, Mid Death Crisis, may suggest otherwise, the Duke of Spook shows zero signs of stopping on this refreshingly powerful and multi-faceted entry into the WEDNESDAY 13 hall of horrific history!"