In Sorrow's Footsteps

Celebrating it's tenth anniversary with it's tenth recording on Delphian, The Marian Consort plays to it's twin strengths in a lovingly conceived programme coupling two pillars of Renaissance polyphony with twenty-first century settings of the same texts, including a newly commissioned Stabat Mater by Gabriel Jackson. A range of subplots - Palestrina's influence on Wagner, Charles Burney's collecting of Allegri and Palestrina - make this truly a story of interconnections: a path on which the present's footsteps constantly overlay the past's. At the centre is Allegri's Miserere, whose convoluted reception history itself becomes part of the story and whose performance here fully exploits the world-famous acoustic of Merton College's chapel. Praise for the Marian Consort on Delphian has been widespread: "A performance of shimmering intensity." (Gramophone)