Andrea Macinanti - Fuser: Opera Omnia vinyl record cover

1

Fuga a 4 Voci

2

Preludio E Fuga

3

Comunione (Meditazione)

4

Adagio

5

Largo

6

Aria

7

Prelude ; Fugue for Piano, Op. 35/1-Fuga (Ib)

8

Suite for Solo Cello No. 6 in D Major, BWV 1012-4. Sarabanda

9

Canzone Alla Francese la Lucchesina

10

Elevazione

11

Largo

12

Elevazione

13

Pastorale

14

Ecce Sacerdos a 5 Voci Dispari Con Organo

15

Ave Maria in Modo Misolidio a 4 Voci Dispari a Cappella

16

Benedicite Dominum, Mottetto a Una Voce E Organo

17

Missa Puerorum in Honorem Sancti Johannis Bosco-Kyrie

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Missa Puerorum in Honorem Sancti Johannis Bosco-Gloria

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Missa Puerorum in Honorem Sancti Johannis Bosco-Credo

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Missa Puerorum in Honorem Sancti Johannis Bosco-Sanctus

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Missa Puerorum in Honorem Sancti Johannis Bosco-Benedictus

22

Missa Puerorum in Honorem Sancti Johannis Bosco-Agnus Dei

23

Ave Maria, Mottetto a Una Voce E Organo

24

Salve Regina, Mottetto a Una Voce E Organo

25

Benedicta Es Tu, Mottetto a Una Voce E Organo

26

Musetta Per Flauto E Organo

27

Idillio Sul Lago

28

Sonata for Solo Violin No. 2 in a Minor, BWV 1003-3. Andante

29

Liebster Jesu BWV 731


Item UPC: 8007194200768

Date First Available:

Label: TACTUS RECORDS

Andrea Macinanti

Fuser: Opera Omnia


ABOUT THE ALBUM


Ireneo Fuser was born in Carbonera (Treviso) on 12 November 1902. In 1925, he graduated in organ at the Liceo musicale «Benedetto Marcello» in Venice under the tuition of Oreste Ravanello and later specialized in Rome with Fernando Germani. In 1927, he graduated in piano at the Conservatory in Parma and, in 1935, in composition at the Conservatory in Florence. In 1928, he won the competition to succeed Ulisse Matthey as organist at the Sanctuary of Loreto, a position he did not hold, however. He undertook a brilliant concert career that was marked by a broad repertoire, refined recording skills, great virtuosity, and musical sensitivity that made him one of the most important Italian organists of his generation. From the 1940s onwards, he has given organ recitals for Swiss radio and RAI in live or recorded Sunday programmes in Rome and Turin, which have been on the broadcast schedules for more than twenty years. At the same time, he carried out teaching activities first at the Licei musicali in Venice and Pescara and then in Bologna, where he was established in 1939 as an organ teacher at the Institute that three years later would become the Conservatorio «G. B. Martini». A firm believer in the phonic excellence of the ancient Italian organ, he shaped his activity with the noble aim of enhancing the glorious period of Italian musical art of the past; among his countless musicological works, the anthology «Classici italiani dell'organo» (1955) is still considered a reference work today.

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