
1
Place, Pt. 1 "Ted Hearne": No. 1, Balloons
2
Place, Pt. 1 "Ted Hearne": No. 2, Boundary
3
Place, Pt. 1 "Ted Hearne": No. 3, Interview
4
Place, Pt. 1 "Ted Hearne": No. 4, Maps (Appropriation)
5
Place, Pt. 1 "Ted Hearne": No. 5, Breakup Letter
6
Place, Pt. 1 "Ted Hearne": No. 6, Guilt
7
Place, Pt. 2 "Saul Williams": No. 7, Is It Ok To Say?
8
Place, Pt. 2 "Saul Williams": No. 8, What About My Son
9
Place, Pt. 2 "Saul Williams": No. 9, Displacement Bloop
10
Place, Pt. 2 "Saul Williams": No. 10, This Land Was Worth Every War
11
Place, Pt. 2 "Saul Williams": No. 11, The Tales You Tell Your Children
12
Place, Pt. 2 "Saul Williams": No. 12, New Faces
13
Place, Pt. 2 "Saul Williams": No. 13, Running To Us All
14
Place, Pt. 2 "Saul Williams": No. 14, Hallelujah In White
15
Place, Pt. 2 "Saul Williams": No. 15, A Thought
16
Place, Pt. 2 "Saul Williams": No. 16, The Guilt That I Feel Is Freedom
17
Place, Pt. 2 "Saul Williams": No. 17, You Were Never Comfortable With Intimacy
18
Place, Pt. 2 "Saul Williams": No. 18, Beneath The Ruins Are Older Ruins
19
Place, Pt. 3: No. 19, Colonizing Space
Item UPC: 798304468380
Date First Available:
Label: NAMS
ABOUT THE ALBUM
Created with poet/librettist Saul Williams, Ted Hearne's newest album, Place, considers gentrification through an inspired oratorio originally commissioned by the Los Angeles Philharmonic, The Barbican Centre and Beth Morrison Project. Commissioned by the Los Angeles Philharmonic, The Barbican Centre and Beth Morrison Projects, and scored for 18 instrumentalists and 6 vocalists, Place was premiered to critical acclaim in October 2018 in Fall 2018 the BAM Next Wave Festival. "'Place' takes shape in songs that emerge like a graffiti mural as repetitive gestures gradually bloom into vibrant, brash statements in high-volume color. The six singers bring with them deep familiarity with diverse vocal styles... but it was impossible to ignore the presence of the real Mr. Hearne at his command post conducting the musicians, manipulating the sound and driving the auto-da-fé of his own orchestration... It always felt as if Hearne was questioning his own comfort and - in the final moment - his own power" (The New York Times).
Check out these titles











