For Waiting for Chasing

Repressing of this limited 2006 release. As Mosz eloquently stated at the time of release,... it is not about the process or the media, which have been used. It is about how elements and structures are put in a detailed relation to each other, ending up in a slow-moving, breathing organism. Filaments of percussive elements condense to polyrhythmic elements, layers of sound, instruments and field recordings merge to build up a mystic parallel, not so much fictional world. Perhaps the most skeletal and minimal of all of the works in the Pan American canon, it may also be the most compelling.