Size Queen / Jane La Onda - Spectacle / Buy Buy Buy vinyl record cover

1

Isolate (The Spectacle Album-Size Queen (2))

2

Saturate (The Spectacle Album-Size Queen (2))

3

Illusion Is Sacred (The Spectacle Album-Size Queen (2))

4

Ice Cream Cigarette (The Spectacle Album-Size Queen (2))

5

Honey Drink It (The Spectacle Album-Size Queen (2))

6

God Said (The Spectacle Album-Size Queen (2))

7

Boy Trouble (Buy Buy Buy Album-Jane La Onda*)

8

TV Do Tell (Buy Buy Buy Album-Jane La Onda*)

9

Glow Girls (Buy Buy Buy Album-Jane La Onda*) 1

10

I See You (Buy Buy Buy Album-Jane La Onda*) 1

11

Memorize (Buy Buy Buy Album-Jane La Onda*) 1

12

Livin' In America (Buy Buy Buy Album-Jane La Onda*) 1

13

Miss Information (Buy Buy Buy Album-Jane La Onda*)


Item UPC: 794504032215

Date First Available:

Label: FEEDING TUBE

Size Queen / Jane La Onda

Spectacle / Buy Buy Buy

Buying from Love Vinyl Records

Vinyl

$20.99

$28.11 including shipping and handling (rates may vary)


Only in stock at this store!

ABOUT THE ALBUM


"Okay, let's get our big secret out of the way immediately. Kassie Carlson - she-devil of helium-attack vocals with Guerilla Toss - is both Size Queen and Jane La Onda. Thus, this split LP is nothing more (or less) than a display of two of Kassie's many known musical personalities. And it is a listening experience as haunting as it is haunted, as coolly weird as it is weirdly cool. Size Queen presents a suite of synth-pocked bedroom pop that sounds to me like the dream-state of a young girl whose favorite robot dog has run away. Maybe for good. Gently blabby munchkins try to convince her that everything is gonna be okay, and she kinda swallows it. I thought it was a little weird when the dog started singing what I took - at first - to be a Sonny & Cher cover, but Size Queen didn't seem to notice. Yet, she yearns. Jane's side, which was previously released as a Feeding Tube cassette (FTR 202CS), is cleaner and clearer in it's poppic aspirations. Driving busy synth lines are woven into bright vocals that alternate between robo-talk and gal-chorale. The results are not unlike certain new wave giantesses of ages past, but their shadows are so frightening I cannot recall any of their true names. But even though these lasses shall remain anonymous, the keyboard sound here recalls some very specific antecedents in spots - namely Jeff Lohn's work on Theoretical Girls' 'U.S. Millie' and the anonymous spoot on Snakefinger's cover of Kraftwerk's 'The Model.' It's jumpy, plumpy, and good. Just like Jane. I mean, the Queen. I mean, Kassie... uh..." - Byron Coley, 2014. LP includes download code.

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