Reger / Weinberger - Organ Works 6 vinyl record cover

1

Introduction, Passacaglia And Fugue, Op. 127: I. Introduction

2

Introduction, Passacaglia And Fugue, Op. 127: II. Passacaglia

3

Introduction, Passacaglia And Fugue, Op. 127: III. Fugue

4

52 Chorale Preludes, Op. 67, Book 3 (Excerpts): No. 38, Valet Will Ich Dir Geben

5

52 Chorale Preludes, Op. 67, Book 3 (Excerpts): No. 39, Vater Unser Im Himmelreich

6

52 Chorale Preludes, Op. 67, Book 3 (Excerpts): No. 45, Wer Nur Den Lieben Gott Lässt Walten [Zu Ernsten Liedern]

7

52 Chorale Preludes, Op. 67, Book 3 (Excerpts): No. 47, Werde Munter, Mein Gemüte

8

52 Chorale Preludes, Op. 67, Book 3 (Excerpts): No. 48, Wer Weiß, Wie Nahe Mir Mein Ende

9

52 Chorale Preludes, Op. 67, Book 3 (Excerpts): No. 49, Wie Schön Leuchtet Der Morgenstern

10

13 Choral Preludes, Op. 79b, Book 1: No. 4, Morgenglanz Der Ewigkeit

11

13 Choral Preludes, Op. 79b, Book 2: No. 13, Warum Sollt Ich Mich Denn Grämen

12

12 Stücke, Op. 80, Book 1 (Excerpts): No. 5, Ave Maria

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12 Stücke, Op. 80, Book 1 (Excerpts): No. 6, Intermezzo

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12 Stücke, Op. 80, Book 2: No. 7, Scherzo


Item UPC: 761203753925

Date First Available:

Label: CPO RECORDS

Reger / Weinberger

Organ Works 6


ABOUT THE ALBUM


Reger & Weinberger Vol. 6. Our successful Reger edition now once again continues, and the critics continue to be more than enthusiastic about the volumes released to date. Musik & Theater has even claimed, "These recordings number among the best releases currently available in the field of Reger's organ music." And Vol. 6 again presents two albums in the best surround sound. The thirty little chorale preludes for the most familiar numbers in the Chorales op. 135a, composed by Reger expressly with the organist's traditional duties in mind, occupy the center stage. A glance at the countless pieces of so-called practical liturgical music composed before and after Reger demonstrates that the quality of this collection can hardly be overestimated, given the fact that it offers what might be termed "Reger en miniature." The wealth of the compositional ideas selected by him justifies the presentation of op. 135a in it's entirety.

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