1
In The South, Op. 50 (Live)
2
Introduction & Allegro, Op. 47 (Live)
3
Variations On An Original Theme, Op. 36 "Enigma": Theme (Live)
4
Variations On An Original Theme, Op. 36 "Enigma": Var. 1, C.A.E. (Live)
5
Variations On An Original Theme, Op. 36 "Enigma": Var. 2, H.D.S-P. (Live)
6
Variations On An Original Theme, Op. 36 "Enigma": Var. 3, R.B.T. (Live)
7
Variations On An Original Theme, Op. 36 "Enigma": Var. 4, W.M.B. (Live)
8
Variations On An Original Theme, Op. 36 "Enigma": Var. 5, R.P.A. (Live)
9
Variations On An Original Theme, Op. 36 "Enigma": Var. 6, Ysobel (Live)
10
Variations On An Original Theme, Op. 36 "Enigma": Var. 7, Troyte (Live)
11
Variations On An Original Theme, Op. 36 "Enigma": Var. 8, W.N. (Live)
12
Variations On An Original Theme, Op. 36 "Enigma": Var. 9, Nimrod (Live)
13
Variations On An Original Theme, Op. 36 "Enigma": Var. 10, Intermezzo. Dorabella (Live)
14
Variations On An Original Theme, Op. 36 "Enigma": Var. 11, G.R.S. (Live)
15
Variations On An Original Theme, Op. 36 "Enigma": Var. 12, B.G.N. (Live)
16
Variations On An Original Theme, Op. 36 "Enigma": Var. 13, Romanza. (Live)
17
Variations On An Original Theme, Op. 36 "Enigma": Var. 14, Finale. E.D.U. (Live)
Item UPC: 747313950980
Date First Available:
Label: SWRMUSIC
ABOUT THE ALBUM
British conductor Sir Roger Norrington lends impressive insight into three masterpieces by the great British composer Edward Elgar. The programme comprises Elgar's ever-popular "Enigma Variations", the thrilling overture "In the South," and the refined sounds of his Introduction and Allegro for string quartet and string orchestra. Roger Norrington's work on scores, on sound, on orchestra size, seating and playing style, has had a profound effect on the way 19th century music is now perceived and, not surprisingly, he is in great demand by symphony orchestras world-wide. He works regularly with orchestras in Berlin, Vienna, Salzburg, Amsterdam, Paris, New York, San Francisco, Los Angeles, Chicago and London. He is Chief Conductor of the Radio Sinfonie Orchester in Stuttgart and of the Camerata Academica in Salzburg. He is closely associated with the London Philharmonic and the Orchestra of the Age of Enlightenment which has, since January 1997, taken over the work of the London Classical Players.
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