JAKOB LINDBERG - Lute By Sixtus Rauwolf / French & German Baroque vinyl record cover

1

Padoana

2

Prélude

3

Allemande

4

Courante "La Superbe"

5

Courante

6

Sarabande

7

Gigue

8

Prélude "La Promenade"

9

Allemande "La Dialogue Des Grâces Sur Iris"

10

Canaries "Le Mouton"

11

Courante "La Changeante"

12

Gaillarde "La Bizarre"

13

Sarabande "La Malassis"

14

Menuet "La Ganbade"

15

Campanella

16

Courante

17

Sarabande

18

Aria

19

Gigue

20

Gavotte

21

Allemande "L'amant Mal Content"

22

Courante "L'amant Soulage"

23

Sarabande "L'amant Soupirant"

24

Gigue "Raillerie Des Amans"

25

Prélude

26

Allemande

27

Courante

28

Bourrée

29

Sarabande

30

Menuet

31

Gigue

32

Ciacona


Item UPC: 7318599922652

Date First Available:

Label: BIS

JAKOB LINDBERG

Lute By Sixtus Rauwolf / French & German Baroque


ABOUT THE ALBUM


The lute by Sixtus Rauwolf heard on this recording was probably built in the last decade of the sixteenth century. Some hundred years later, in 1715, it was converted to suit the musical tastes and demands of the baroque period. For this disc, Jakob Lindberg has chosen works that could have formed part of the repertory of the presumably German owner of the instrument at around the time of it's final conversion. For German lutenists from about the middle of the seventeenth century, it was France that provided the aesthetic and musical model, and towards the end of the century, when the lute rather suddenly and inexplicably dropped out of fashion in Paris certain French luthistes travelled abroad and met with great success in German-speaking lands. With them, they took their music and special traditions of lute-playing, evidence of which can be seen in the music of several of the German composers included here. The release closes with a suite of pieces by Silvius Leopold Weiss, the most famous lutenist of the baroque era. Weiss, Lindberg and the Rauwolf lute first crossed paths in 2006 on a highly acclaimed all-Weiss disc (BIS-1524): 'Too good to be true' was the verdict in International Record Review while the reviewer in Goldberg Magazine wrote 'As an evocation of the lute's magical qualities, this deserves to achieve cult status.'

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