1

Overture

2

Maybe a Man's Name: Our works in stone (Orson #1, Orson #2, Orson #3)

3

Everybody's Shakespeare: Jesus, the days I've seen (Orson #1, Orson #2, Orson #3)

4

Lament for Jacaré: J'accuse! (Orson #3)

5

First Nach(t)musik: Ah (Orson #2, Orson #3, Orson #1)

6

The Magnificent Downbeats: I intended to portray a golden world (Orson #1, Orson #3, Orson #2)

7

All Through: Marc, on fire, alone, at the piano (Orson #2)

8

Manhattan Ambulance Ride: Give me the script (Orson #3, Orson #2)

9

Border Sequence: The scene was conceived musically (Orson #1, Orson #2, Orson #3) 1

10

Card Tricks and Talk Show Badinage 1

11

Second Nach(t)musik: We're born alone (Orson #1) 1

12

Beatrice Welles Practices Chopin, 1924: Then I heard her again (Orson #1, Orson #2, Orson #3) 1

13

Consider the Chimes: Come! Sing me a dirty song (Orson #3) 1

14

Serenade for Rita: Rita's face is not on the bomb by her own choosing (Orson #2, Orson #3, Orson #1) 1

15

Myocardial Infarction: My two greatest assets have been mental stability and being, like, really smart (Orson #3, Orson #1, Orso

16

Postlude: Go On: Our works in stone, in paint, in print, are spared (Orson #1, Orson #2, Orson #3) 1

17

Charlie's Rag (End Title)