Duke Ellington & His Orchestra - The Treasury Shows, Vol. 2 vinyl record cover

1

Take the "A" Train - (opening theme)

2

Mood to Be Wooed

3

If You Are But a Dream

4

Riff Staccato, (Otto Make That)

5

I'm Beginning to See the Light

6

Black, Brown & Beige, (Excerpts From)

7

West Indian Dance

8

Blues, The

9

Emancipation Celebration

10

Sugar Hill Penthouse

11

Sentimental Lady - (small excerpt)

12

Stomp Look and Listen

13

Frantic Fantasy

14

It Don't Mean a Thing

15

Sentimental Lady - (into closing)

16

Any Bonds Today - (transcription theme)

17

Take the "A" Train - (theme)

18

Tonight I Shall Sleep

19

Go Away Blues

20

Bond Promo

21

Creole Love Song (Call)

22

Three Cent Stomp

23

Any Bonds Today? - (closing theme)


Item UPC: 717101900220

Date First Available:

Label: STORYVILLE RECORDS

Duke Ellington & His Orchestra

The Treasury Shows, Vol. 2


ABOUT THE ALBUM


This two-CD set includes two broadcasts in the series of Treasury Department transcriptions issued as V-discs during World War II plus a Treasury Star Parade program from 1943 and a portion of a Mutual Broadcasting System program from October, 1945. These live performances have surprisingly good fidelity as they seem to originate from the actual masters rather than well-worn V-discs, which has all too often been the case with commercial issues of this series. Aside from the distraction provided by the rather stiff network MC announcements (which often clash with the opening of a song), the band seems well rehearsed and the star soloists, Johnny Hodges, Jimmy Hamilton, "Tricky Sam" Nanton, Ray Nance, Cat Anderson, and Ben Webster in particular, are in top form. Less successful are some of the vocal numbers, especially Kay Davis' excessive operatic vibrato in "If You Are But a Dream." in addition to the expected hits ("I'm Beginning to See the Light," "It Don't Mean a Thing (If It Ain't Got That Swing," and "Creole Love Call") there are actually quite a few lesser known songs like "Tonight I Shall Sleep," "Three Cent Stomp," and "Kissing Bug"; there are also a number of rather rarely heard compositions ("Riff'N Drill," "Fishing for the Moon," "Frantic Fantasy," and "Go Away Blues") and, fortunately, none of the long medleys of hits that have turned up on far too many of Ellington's live recordings (although excerpts of the recently premiered "Black, Brown & Beige" are presented in medley form). The sound achieved by Jack Towers from this material recorded over a half century ago is phenomenal, and Ellington collectors will be glad to acquire these historic recordings, even if they bought the commercially issued LPs during the 1970s, because the sound has been greatly improved. - Ken Dryden.

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