Tomberlin - i don’t know who needs to hear this... vinyl record cover

1

easy

2

born again runner

3

tap

4

memory

5

unsaid

6

sunstruck

7

collect caller

8

stoned

9

happy accident

10

possessed

11

idkwntht


Item UPC: 648401027716

Date First Available:

Go Live Date:

Label: SADDLE CREEK

Tomberlin

i don’t know who needs to hear this...

LP

Buying from Love Vinyl Records

Vinyl

$21.90

$29.02 including shipping and handling (rates may vary)

Pick from

4 formats and editions

Starting at


Vinyl - LP

$21.90

Vinyl - Indie Exclusive Limited Edition Sunstruck Edition LP

$22.90

CD

$14.69

Cassette - Cassette

Unavailable


Only in stock at this store!

ABOUT THE ALBUM


Tomberlin is Sarah Beth Tomberlin, a pastor’s kid born in Florida, raised in rural Illinois. She wrote the majority of her debut, At Weddings (2018), while living at home. For a while after leaving home and church, she lived in Louisville, Kentucky. She worked a day job and kept writing songs. She posted some of these songs to Bandcamp, which led to her signing a record deal with Saddle Creek. It all happened fast: Less than a year after her first live show, she performed on Jimmy Kimmel and she ended up moving to L.A. which is where she wrote Projections (2020), her EP followup to At Weddings. During the pandemic, Sarah Beth was all over the place, physically and mentally. Louisville. Los Angeles. Back home in Illinois for a bit. Brooklyn, where she’s now settled, she says. Brooklyn is also where her new album i don’t know who needs to hear this… was recorded, at Figure 8 studios over the course of two weeks, with producer and engineer Phil Weinrobe (who played a variety of instruments on the collection), and later mastered by Josh Bonati, also in Brooklyn. “The theme of the record,” she explains, “is to examine, hold space, make an altar for the feelings.” Hold space: Tomberlin’s songs do it literally, making it heard space. Her full-length debut, At Weddings, was widely praised for the sparsity and delicacy of its instrumentation, especially in contrast with the emotional heft of her lyrics. Here, the space feels larger and holier, built to echo. Pedal steel. Old acoustic guitars, freshly plucked. A drifting synthesizer. Chill, brushy percussion. Ambient, expansive clarinet and saxophone. Aleatory piano trills, a lot of piddling with the occasional splash. The looseness and wideness of the arrangements conveys a tender regard for their parts, as though each arpeggio, loop, scratch is a found shell or feather in the hand. Then there is the instrument of her voice, which has the endearing quality of being perfectly tuned but reluctantly played. “I’m not a singer,” she sings on “idkwntht.” “I’m just someone who’s guilty.”

Check out these titles

Unto The Locust Reissue (15th anniversary)

Unto The Locust Reissue (15th anniversary)

Machine Head

Saving Grace: All That Glitters… with Suzi Dian

Saving Grace: All That Glitters… with Suzi Dian

Robert Plant

Stadium Arcadium: 20th Anniversary Limited Edition

Stadium Arcadium: 20th Anniversary Limited Edition

Red Hot Chili Peppers

She's the Best

She's the Best

Troye Sivan

Weezer -

Weezer -

Weezer

Everything's Falling

Everything's Falling

The Warning

Bluegrass Women

Bluegrass Women

Lindsay Lou

El Subliminoso (Rsd)

El Subliminoso (Rsd)

Dada

From The Dark

From The Dark

Tony Iommi

Days

Days

Mountain Goats