1

Introduction; Opening Horn Call And Piano's Answer

2

Rising Three-note Scalewise Pattern

3

Quicker, Descending Six-note 'Answer'

4

Second 'Answering' Phrase

5

First Main Theme Completed By Orchestra

6

Peace Shattered As Piano Bursts Back In Like A Tiger

7

Variant Of Opening Horn Call In Bass

8

Orchestra Returns, Beginning Of Exposition Proper

9

Big, 'Singing' Theme In Orchestra; Piano 'Forgotten'

10

Call To Arms By Strings; Marshalling Of Orchestral Forces

11

Piano Re-enters Fray With Massive Expansion Of Opening Figure

12

Piano 'Explores' Two Main Facets Of Opening Theme

13

Transition. Sense Of Key Weakened. Piano And Orchestra Come Toge

14

Piano And Orchestra 'Argue' Over Speed Of Thematic Three-note Ri

15

Piano And Orchestra In Friendly Dialogue Before Piano Falls Away

16

'Winged' Harmonic Shadow Of Pure Pianistic Tone-Colour

17

New 'Transitional' Theme From Orchestra Developed By Piano

18

After Indecision And Discussion, The Mood Suddenly Turns Playful

19

Reminder Of Second Main Theme In It's Original Form

20

Transformation Of Second Main Theme By Piano

21

Piano Hijacks Orchestra's 'Call To Arms' (First Heard In Track 1

22

Piano And Orchestra, Now Allies, Explore Theme, But With Piano L

23

Dramatic Eruption Of Orchestra Leads To The Development Section

24

Pianistic 'Tiger' Replaced By Gentle, Reflective, Soft-spoken Po

25

Transformed 'Tiger' Theme Amicably Shared By Piano And Orchestra

26

An Apparently New Theme - But Battle Hymn Of The Republic?

27

Brief, Downward-driving Section Prepares For The Recapitulation

28

On The Threshold Of The Recapitulation

29

Recapitulation: The Magical Return

30

From Gate-crashing Tiger To Celestial Tenderness - And A Surpris

31

An Unexpected And Portentous Change Of Mood, Suggesting Tragedy

32

Summation

33

First Movement (Complete)

34

Second Movement: The Upward-driving Opening Gambit, Piano Alone

35

Downward-driving Answer From Lower Strings (Violas, Cellos, Bass

36

Theme Vs Melody

37

Eerie, Unharmonised, 'White' Sound Of Second Theme

38

Second Theme Taken Up And Developed By Piano

39

Expectation And Surprise; Harmonic Fluidity And Intensifying Dra

40

Return (And Transformation) Of Theme Two

41

Theme One Returns In Orchestra; Theme Three Emerges In Major Mod

42

Sequence Of Fragmentary Episodes Begins With Unexpected Fanfare

43

Variant Of Theme Three In Piano (Diabolical Piano Octaves)

44

Rescored Variant Of 'Fanfare' Theme; From Grandeur To Solemnity

45

Rhapsodic Variant Of Fanfare, This Time For Piano Alone

46

Recapitulation Of Opening, With Piano And Orchestra Reversing Ro

47

Theme Two Transformed By New Instrumentation

48

Cue And Second Movement (Complete)