Rough Guide To East Coast Blues / Various - Rough Guide to East Coast Blues vinyl record cover

1

Come on Boys Let's Do That Messin' Around - Blind Blake 2:46

2

No No Blues - Curley Weaver 3:09

3

Church Bells Blues - Luke Jordan 3:16

4

South Carolina Rag (Take 1) - Willie Walker 3:11

5

Greasy Greens - Bumble Bee Slim 2:56

6

Skin Game Blues - Peg Leg Howell 3:04

7

Old Time Blues - Carl Martin 3:13

8

Gonna Tip Out Tonight - Pink Anderson ; Simmie Dooley 2:45

9

One Way Gal - William Moore 3:08 1

10

Honey You Don't Know My Mind - Barbecue Bob 3:16 1

11

Truckin' My Blues Away No. 2 (Take 2) - Blind Boy Fuller 3:10 1

12

Ninety Nine Year Blues (Take 2) - Julius Daniels 2:48 1

13

I Saw the Light - Bull City Red 3:12 1

14

Hard Road Blues - Buddy Moss 3:05 1

15

She's Coming Back Some Cold Rainy Day - Georgia Cotton Pickers 3:10 1

16

Lord, I Want to Die Easy - Josh White 3:02 1

17

Brownie Blues - Tarter ; Gay 3:32 1

18

O Lord, Search My Heart - Reverend Gary Davis 2:59 1

19

Jealous Hearted Blues - Charley Lincoln 3:04 2

20

Dekalb Chain Gang - Fred McMullen 3:36 2

21

Harmonica Stomp - Sonny Terry 3:04 2

22

Runaway Man Blues - Floyd Council 2:47 2

23

Unfair Blues - Brownie McGhee 2:52


Item UPC: 605633133523

Date First Available:

Label: WORLD MUSIC NETWORK

Rough Guide To East Coast Blues / Various

Rough Guide to East Coast Blues

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ABOUT THE ALBUM


The East Coast blues is a style born in the Piedmont region of the US, which lies between the Appalachian Mountains and the coastal plain, running from Richmond, Virginia, southwards through the Carolinas and Georgia to Atlanta. Often referred to as the Piedmont blues, it is very different in style from the harder and intense sounding Mississippi Delta blues and was pioneered by some of the greatest blues guitarists that ever lived. Their unique approach to the instrument was primarily influenced by the ragtime traditions of the early twentieth century, as well as string band, banjo and other forms of minstrel/medicine show music. This musical development was due to the cultural blurring of musical boundaries in this region and a more relaxed racial atmosphere, as blacks and whites borrowed musical ideas, tunes and instruments from each other.

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