Memphis Minnie - First Lady Of Country Blues 1929-1953 (Uk) vinyl record cover

1

That Will Be Alright

2

Frisco Town

3

When The Levee Breaks

4

She Wouldn't Give Me None

5

Bumble Bee

6

Can I Do It For You (Pt 1)

7

I'm Going Back Home

8

Don't Want No Woman

9

She Put Me Outdoors

10

What's The Matter With The Mill

11

North Memphis Blues

12

Don't Bother It

13

Pickin' The Blues

14

Soo Cow Soo

15

Outdoor Blues

16

Where Is My Good Man

17

Too Late

18

You Got To Move (Pt 1)

19

Chickasaw Train Blues

20

Banana Man Blues (I Don't Want That Thing)

21

Moaning The Blues

22

Dirty Mother Fuyer

23

You Can't Give It Away

24

Reachin' Pete

25

He's In The Ring

26

When The Sun Goes Down

27

Selling My Pork Chops

28

Hoodoo Lady

29

Black Cat Blues

30

Man You Won't Give Me No Money

31

Haunted Blues

32

You Can't Rule Me

33

No Need You Doggin' Me

34

Walking And Crying Blues

35

Keep On Eating

36

I'd Rather See Him Dead

37

Black Widow Stinger

38

Keep Your Big Mouth Closed

39

Nothing In Rambling

40

It's Hard To Please My Man

41

In My Girlish Days

42

Me And My Chauffeur Blues

43

Pig Meat On The Line

44

This Is Your Last Chance

45

Black Rat Swing

46

When You Love Me

47

Please Set A Date

48

I'm So Glad

49

Killer Diller

50

Million Dollar Blues

51

Shout The Boogie

52

Jump Little Rabbit

53

Kid Man Blues

54

World Of Trouble


Item UPC: 604988329827

Date First Available:

Label: JASMINE RECORDS

Memphis Minnie

First Lady Of Country Blues 1929-1953 (Uk)


ABOUT THE ALBUM


Widely perceived as "The First Female Guitar Hero" (although the concept "Guitar Hero" wouldn't exist for forty years) LIZZIE "Memphis Minnie" DOUGLAS was one of the most popular Blues artistes of the 1930s and 40s. She was certainly the foremost female guitarist, the equal of a great many of the male guitarists, famously winning a cutting competition with Big Bill Broonzy in a Chicago club, in the early 30s. Minnie was also "The First Lady of Country Blues", performing in a less readily accessible style than Ma Rainey, Ida Cox, Alberta Hunter and Bessie Smith, whose fame and popularity were achieved via the vaudeville/jazz "Classic Blues" style. This compilation presents a career overview, covering 1929-53, in particular highlighting her work with her guitar-toting 'husbands', Casey Bill Weldon, Kansas Joe McCoy, and Ernest Lawlars

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