Throbbing Gristle - Live At The Volksbuhne Berlin New Year's Eve 2005 vinyl record cover

1

Trumpet Herald [Live at the Volksbühne, Berlin, New Year's Eve, 2005]

2

Convincing People [Live at the Volksbühne, Berlin, New Year's Eve, 2005]

3

Splitting Sky [Live at the Volksbühne, Berlin, New Year's Eve, 2005]

4

Slug Bait [Live at the Volksbühne, Berlin, New Year's Eve, 2005]

5

Rabbit Snare [Live at the Volksbühne, Berlin, New Year's Eve, 2005]

6

Almost a Kiss [Live at the Volksbühne, Berlin, New Year's Eve, 2005]

7

Greasy Poo [Live at the Volksbühne, Berlin, New Year's Eve, 2005]

8

Endless Not [Live at the Volksbühne, Berlin, New Year's Eve, 2005]

9

Vow of Silence [Live at the Volksbühne, Berlin, New Year's Eve, 2005]

10

PA Destroyer [Live at the Volksbühne, Berlin, New Year's Eve, 2005]

11

Hamburger Lady [Live at the Volksbühne, Berlin, New Year's Eve, 2005]


Item UPC: 5400863181185

Date First Available:

Label: MUTE U.S.

Throbbing Gristle

Live At The Volksbuhne Berlin New Year's Eve 2005

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ABOUT THE ALBUM


Live at the Volksbühne, Berlin, New Year's Eve, 2005 CD by Throbbing Gristle Throbbing Gristle release Live at the Volksbühne, Berlin, New Year's Eve, 2005, via Mute. Available on double black vinyl and CD. Previously featured in the TG Berlin box set-which sold out in less than a month-this release captures Throbbing Gristle's unforgettable New Year's Eve performance, part of a specially curated series of live events at Berlin's Volksbühne in 2005 and 2006. The setlist included a preview of five tracks from their first album in 27 years, Part Two: The Endless Not-which was released several years later. Fans were also treated to TG's first encore in 25/26 years, which included iconic songs like 'Convincing People', 'Slug Bait', and 'Hamburger Lady'-what an encore! Formed in 1975, Throbbing Gristle - Chris Carter, Cosey Fanni Tutti, Genesis Breyer P-Orridge (1950-2020) and Peter 'Sleazy' Christopherson (1955-2010), fully delivered on punk's failed promise to explore extreme culture as a way of sabotaging systems of control. Their impact on music, culture and the arts has been immeasurable, and still felt today across music, film, theatre, and fine art.

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