Le Mot De Passe

After the flamboyance very American in my flesh (1997), Patricia Kaas is back with an album (the fifth in 12 years) to the singular beauty, probably more true to it's sensitivity and it's discreet charm than it's predecessor. Dressed in a pocket sepia curiously recalling the Scenes of Life (1990), entirely produced, written and arranged by Pascal Obispo, the password is any strength in the consistency that comes from security selection, suggestive of universal themes time that ran away, the strangeness of femininity, dreams dashed or inaccessible and difficult to love. Patricia Kaas has customize his weary voice, almost cynical, bringing, for transparency, all his emotion and maturity of young thirties. If the faithful Goldman offered him a position on two titles ("A girl from the East" and "Songs beginning", which seem to echo "From Germany" and "Enter Light"), other texts are signed Zazie, Goleman, and Florence, as many authors who know, subtle question.