1
6 Sonaten für Kenner und Liebhaber, Wq. 55: Keyboard Sonata No. 3 in B Minor: III. Cantabile
2
Premier livre de pièces de clavecin, Troisième suite: I. Le coucou
3
Keyboard Sonata in F Minor, Kk. 466
4
Keyboard Sonata in F Major, Kk. 378
5
Keyboard Sonata in D Minor, Kk. 1
6
Keyboard Sonata in C Major, Kk. 159
7
Fantasia in D Minor, K. 397
8
Keyboard Sonata in C Major, Hob. XVI:35: I. Allegro con brio
9
Keyboard Sonata in C Major, Hob. XVI:35: II. Adagio
10
Keyboard Sonata in C Major, Hob. XVI:35: III. Finale. Allegro
11
24 Préludes, Op. 28: No. 20 in C Minor
12
Solfeggietto in C Minor, Wq. 117/2
13
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C Minor, BWV 847: I. Prelude
14
The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C Minor, BWV 847: II. Fugue
15
24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop"
16
Art of Piano, Op. 66: III. Winter Morning in Istanbul
17
2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto
18
The Seasons, Op. 37a: No. 6, June. Barcarolle
19
Suite Española No. 1, Op. 47: V. Asturias "Leyenda"
20
12 Danzas españolas: No. 5, Andaluza
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6 Gnossiennes: No. 1, Lent
22
Gnossienne No. 7
23
Suite bergamasque, CD 82, L. 75: III. Clair de lune
24
Nocturne No. 21 in C Minor, Op. Posth.
25
Nocturne No. 20 in C-Sharp Minor, Op. Posth.
26
12 Lieder von Schubert, S. 558: No. 9, Ständchen (After Schubert's D. 889)
27
3 Intermezzi, Op. 117: No. 1 in E-Flat Major
28
Isoldens Liebestod, S. 447 (After Richard Wagner)
29
Sonatine, M. 40: I. Modéré
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Sonatine, M. 40: II. Mouvement de menuet
31
Sonatine, M. 40: III. Animé
32
On an Overgrown Path, Book 1: No. 7, Good Night!
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24 Preludes, Op. 28: No. 4 in E Minor
34
24 Preludes, Op. 28: No. 6 in B Minor
35
Berceuse in D-Flat Major, Op. 57
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Kinderszenen, Op. 15: No. 7, Träumerei
Item UPC: 5054197936074
Date First Available:
Go Live Date:
Label: WARNER CLASSICS
ABOUT THE ALBUM
"In 2019, I began to think about making concept albums. Of all the ideas I developed, one of the most potent was that of collating works that we would like to listen to in the morning and evening. This was the sentiment behind the creation of the albums Morning and Evening. Consequently, for both albums I sought out music that I found to be reminiscent of either morning or evening, choosing pieces that embodied the unique joy and melancholy of these times of day. Working on the principle that simplicity was suited to morning music, I leaned heavily towards baroque and early classical pieces for the Morning album. The Evening album features classics from the Romantic and late Romantic period. Playing these pieces, I sensed the unique rhythm of morning and evening hidden in their natural flow. I hope you will enjoy listening to them." Fazil Say
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