J Bach S / Rubsam, Wolfgang Rübsam - French Suites 812-817 vinyl record cover

1

French Suite No. 1 In D Minor, Bwv 812: I. Allemande

2

French Suite No. 1 In D Minor, Bwv 812: II. Courante

3

French Suite No. 1 In D Minor, Bwv 812: III. Sarabande

4

French Suite No. 1 In D Minor, Bwv 812: IV. Menuet 1 & 2

5

French Suite No. 1 In D Minor, Bwv 812: V. Gigue

6

French Suite No. 2 In C Minor, Bwv 813: I. Allemande

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French Suite No. 2 In C Minor, Bwv 813: II. Courante

8

French Suite No. 2 In C Minor, Bwv 813: III. Sarabande

9

French Suite No. 2 In C Minor, Bwv 813: IV. Air

10

French Suite No. 2 In C Minor, Bwv 813: V. Menuet

11

French Suite No. 2 In C Minor, Bwv 813: VI. Gigue

12

French Suite No. 3 In B Minor, Bwv 814: I. Allemande

13

French Suite No. 3 In B Minor, Bwv 814: II. Courante

14

French Suite No. 3 In B Minor, Bwv 814: III. Sarabande

15

French Suite No. 3 In B Minor, Bwv 814: IV. Menuet-Trio-Menuet

16

French Suite No. 3 In B Minor, Bwv 814: V. Anglaise

17

French Suite No. 3 In B Minor, Bwv 814: VI. Gigue

18

Prelude, Fugue And Allegro In E-Flat Major, Bwv 998: I. Prelude

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Prelude, Fugue And Allegro In E-Flat Major, Bwv 998: II. Fugue

20

Prelude, Fugue And Allegro In E-Flat Major, Bwv 998: III. Allegro

21

French Suite No. 4 In E-Flat Major, Bwv 815: I. Allemande

22

French Suite No. 4 In E-Flat Major, Bwv 815: II. Courante

23

French Suite No. 4 In E-Flat Major, Bwv 815: III. Sarabande

24

French Suite No. 4 In E-Flat Major, Bwv 815: IV. Gavotte

25

French Suite No. 4 In E-Flat Major, Bwv 815: V. Air

26

French Suite No. 4 In E-Flat Major, Bwv 815: VI. Gigue

27

French Suite No. 5 In G Major, Bwv 816: I. Allemande

28

French Suite No. 5 In G Major, Bwv 816: II. Courante

29

French Suite No. 5 In G Major, Bwv 816: III. Sarabande

30

French Suite No. 5 In G Major, Bwv 816: IV. Gavotte

31

French Suite No. 5 In G Major, Bwv 816: V. Bourrée

32

French Suite No. 5 In G Major, Bwv 816: VI. Loure

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French Suite No. 5 In G Major, Bwv 816: VII. Gigue

34

French Suite No. 6 In E Major, Bwv 817: I. Allemande

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French Suite No. 6 In E Major, Bwv 817: II. Courante

36

French Suite No. 6 In E Major, Bwv 817: III. Sarabande

37

French Suite No. 6 In E Major, Bwv 817: IV. Gavotte

38

French Suite No. 6 In E Major, Bwv 817: V. Polonaise

39

French Suite No. 6 In E Major, Bwv 817: VI. Bourrée

40

French Suite No. 6 In E Major, Bwv 817: VII. Menuet

41

French Suite No. 6 In E Major, Bwv 817: VIII. Gigue

42

Suite In E Minor, Bwv 996: I. Passaggio

43

Suite In E Minor, Bwv 996: II. Presto

44

Suite In E Minor, Bwv 996: III. Allemande

45

Suite In E Minor, Bwv 996: IV. Courante

46

Suite In E Minor, Bwv 996: V. Sarabande

47

Suite In E Minor, Bwv 996: VI. Bourrée

48

Suite In E Minor, Bwv 996: VII. Gigue


Item UPC: 5028421962276

Date First Available:

Label: BRLT


ABOUT THE ALBUM


The title of French Suites does not originate from Bach's hand: they were called "Suites pour le clavessin" by the composer. To judge from the number of copies made by his pupils, they likely played a significant role in domestic music-making in Bach's home and in his teaching, and they remain among the most approachable of Bach's keyboard works for performer and listener alike. As in the English Suites, Bach included the customary sequence of allemande, courante, sarabande and gigue, with additional short movements between the sarabande and gigue. Unlike the English Suites, however, they have no preludes and are generally of a more modest scale, both less stylized and less demanding in technical terms. Wolfgang Rubsam is internationally known as an authoritative Bach interpreter, from recordings of the organ and harpsichord on several different labels. He has recorded the French Suites before, on the piano. Made in March 2020, this new account is played on the kind of lute-harpsichord that Bach would have had at home for both music-making in the family and for teaching. The touch required and the sonority produced is delicate, subtly shaded and closely related in it's effect to the music of Bach's French contemporaries, whose music he knew well, such as Francois Couperin, Jean-Philippe Rameau and Louis Marchand. The cantabile style of playing heard in these marvelous performances is directly inspired by the instrument, a lute-harpsichord built for Mr. Rubsam in 2015 by the acclaimed American instrument-maker Keith Hill.

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