Ciconia Consort - French Music for String Orchestra vinyl record cover

1

Sur Les Flots Lointains, Op. 130

2

Adagio Pour Cordes

3

Hymne Pour Dixtuor À Cordes

4

Symphonie No. 1 Pour Orchestre À Cordes: I. Modéré

5

Symphonie No. 1 Pour Orchestre À Cordes: II. Vif Et Rude

6

Symphonie No. 1 Pour Orchestre À Cordes: III. Lent

7

Symphonie No. 1 Pour Orchestre À Cordes: IV. Vif Et Décidé

8

Sarabande In E Major, Op. 93

9

Symphonie No. 2 Pour Cordes Avec Trompette Ad Libitum: I. Molto Moderato - Allegro

10

Symphonie No. 2 Pour Cordes Avec Trompette Ad Libitum: II. Adagio Mesto

11

Symphonie No. 2 Pour Cordes Avec Trompette Ad Libitum: III. Vivace Non Troppo


Item UPC: 5028421957340

Date First Available:

Label: BRLT

Ciconia Consort

French Music for String Orchestra


ABOUT THE ALBUM


The name of Jacques Castérède (1926-2014) may not be well known outside his native France, but the taut and compelling Symphony for strings which he wrote at the age of 26 - his first major work - deserves far wider recognition. Tension runs high throughout the opening Modéré before breaking into a violent Scherzo in the manner of Bartok's Music for Strings, Percussion and Celesta. Shostakovich and indeed the Second Symphony of Arthur Honegger may be called to mind by the impassioned lyricism of the slow movement, which rises from darkness before discovering a point of radiant transfiguration in the movement's coda. Restless counterpoint brings the finale to an exhilarating, emphatic conclusion. The first recording of Castérède's symphony won a Grand prix du disque, but it has taken half a century for the second to be made by this young and exciting Dutch string ensemble as the centrepiece of their debut on CD. Turbulent energy and sombre elegy are the key signatures of the imaginative programme: Honegger's Second Symphony of 1937 explores the same expressive territory as Castérède's Symphony, though it's trumpet-led apotheosis achieves hard-won resolution. Reflective miniatures by Koechlin, Honegger and Saint-Saëns are highly coloured by their composer's individual voices, and there is space for the heartfelt Adagio of Guillaume Lekeu, which belongs in the company of Mahler's Adagietto and Barber's ubiquitous Adagio.

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