
1
Praeambulum In D Minor, Lübwv 11
2
Praeambulum In G Minor, Lübwv 12
3
Chacon In A Major, Lübwv 20
4
Praeambulum In E Major, Lübwv 7
5
Ich Ruff Zu Dir Herr Jesu Christ, Lübwv 13
6
Praeambulum Et Fuga In F Major, Lübwv 8
7
Praeambulum In G Major, Lübwv 9
8
Nun Lasst Uns Gott, Dem Herren, Lübwv 15
9
Praeambulum In C Minor, Lübwv 6
10
Ach Wir Armen Sünder, Lübwv Deest
11
Praeambulum In C Major, Lübwv 10
12
Praeludium Et Fuga In A Minor, Lübwv 16: I. Praeludium. Vivace
13
Praeludium Et Fuga In A Minor, Lübwv 16: II. Fuga. Allegro
14
Suite In G Minor, Lübwv 17: I. Allemande
15
Suite In G Minor, Lübwv 17: II. Courante
16
Suite In G Minor, Lübwv 17: III. Sarabande
17
Suite In G Minor, Lübwv 17: IV. Gigue
18
Chaconne: Lobt Gott Ihr Christen Allzugleich, Lübwv 18
19
From The S.M.G. 1691 Manuscript: I. Menuet
20
From The S.M.G. 1691 Manuscript: II. L'allemand
21
From The S.M.G. 1691 Manuscript: III. March
22
From The S.M.G. 1691 Manuscript: IV. Menuet
23
From The S.M.G. 1691 Manuscript: V. Menuet
24
From The S.M.G. 1691 Manuscript: VI. Aria. Mit Geduld Will Ich Ertragen
25
From The S.M.G. 1691 Manuscript: VII. Trompeter Stück
26
From The S.M.G. 1691 Manuscript: VIII. Air Gavott
27
From The S.M.G. 1691 Manuscript: IX. Menuet
28
From The S.M.G. 1691 Manuscript: X. Englischer Winck = Tanzt Od(Er) Gique
29
From The S.M.G. 1691 Manuscript: XI. Menuet
30
From The S.M.G. 1691 Manuscript: XII. Folie D'espagne
31
From The S.M.G. 1691 Manuscript: XIII. March
32
From The S.M.G. 1691 Manuscript: XIV. Menuet
33
From The S.M.G. 1691 Manuscript: XV. Aria. Watt Wart Uns Armen Deerens Suhr
34
From The S.M.G. 1691 Manuscript: XVI. Bourée
35
From The S.M.G. 1691 Manuscript: XVII. Menuet
36
From The S.M.G. 1691 Manuscript: XVIII. March Lübwv 22.1
37
From The S.M.G. 1691 Manuscript: XIX. Menuet Lübwv 22.2
38
From The S.M.G. 1691 Manuscript: XX. Gavotte. Sa, Sa, Sa, Die Gesundheit
39
From The S.M.G. 1691 Manuscript: XXI. Entreé
40
From The S.M.G. 1691 Manuscript: XXII. Menuet
41
From The S.M.G. 1691 Manuscript: XXIII. Air
42
From The S.M.G. 1691 Manuscript: XXIV. Trompeter Stück
43
From The S.M.G. 1691 Manuscript: XXV. March
44
From The S.M.G. 1691 Manuscript: XXVI. Bourée
45
From The S.M.G. 1691 Manuscript: XXVII. Menuet
46
Suite In A Minor Lübwv 21: I. Allemande
47
Suite In A Minor Lübwv 21: II. Courante
48
Suite In A Minor Lübwv 21: III. Sarabande
49
Suite In A Minor Lübwv 21: IV. Gigue
50
Menuet
51
March
52
Menuet (2)
53
Passepied
54
Menuet (3)
55
Menuet (4)
56
March (2)
57
Menuet (5)
58
Menuet (6)
59
Menuet (7)
60
Menuet (8)
61
Praeludium In D Major, Lübwv 19.1
62
Ciaconne Lübwv 19.2
63
March (3)
64
Menuet (9)
65
Menuet Du L'empereur Joseph
66
La Reponse Menuet
Item UPC: 5028421954530
Date First Available:
Label: BRILLIANT CLASSICS
ABOUT THE ALBUM
Unfortunately, until recently, the music of Vincent Lubeck was simply regarded as northern German music from the 17th century in the pre-Bach era. This recording is the first edition to include all existing organ and harpsichord compositions by Lubeck as well as a series of previously unknown manuscript pieces. Despite Lubeck's fame during his long lifetime, few of his organ works are well known, yet his pieces for organ are the most important in his oeuvre. Influenced by Buxtehude and Reincken, Lubeck composed works that were both technically and artistically elaborate with frequent two-pedal virtuosic passages, five voices and other compositional elements rarely used by most of his contemporaries. Lubeck's Clavier Uebung, written in 1728, consists of a single suite for harpsichord, with the traditional dances (Allemande, Courante, Sarabande and Gigue) preceded by a prelude and fugue and followed by a chaconne. The S.M.G. manuscript from 1691 includes 45 short pieces for keyboard, many anonymous although five are attributed to Lubeck's father, and it also contains the only known compositions by Lubeck's son. These pedagogical pieces work well on a small historic harpsichord or clavichord, or on a small or regal stop organ. In fact, the dynamic markings in certain pieces indicate clavichord, considered to be the preferred instrument on which to learn keyboard technique. Their charm and melodic inventiveness make them a joy to play.











