Manuel Tomadin - Complete Harpsichord & Organ Music vinyl record cover

1

Praeambulum In D Minor, Lübwv 11

2

Praeambulum In G Minor, Lübwv 12

3

Chacon In A Major, Lübwv 20

4

Praeambulum In E Major, Lübwv 7

5

Ich Ruff Zu Dir Herr Jesu Christ, Lübwv 13

6

Praeambulum Et Fuga In F Major, Lübwv 8

7

Praeambulum In G Major, Lübwv 9

8

Nun Lasst Uns Gott, Dem Herren, Lübwv 15

9

Praeambulum In C Minor, Lübwv 6

10

Ach Wir Armen Sünder, Lübwv Deest

11

Praeambulum In C Major, Lübwv 10

12

Praeludium Et Fuga In A Minor, Lübwv 16: I. Praeludium. Vivace

13

Praeludium Et Fuga In A Minor, Lübwv 16: II. Fuga. Allegro

14

Suite In G Minor, Lübwv 17: I. Allemande

15

Suite In G Minor, Lübwv 17: II. Courante

16

Suite In G Minor, Lübwv 17: III. Sarabande

17

Suite In G Minor, Lübwv 17: IV. Gigue

18

Chaconne: Lobt Gott Ihr Christen Allzugleich, Lübwv 18

19

From The S.M.G. 1691 Manuscript: I. Menuet

20

From The S.M.G. 1691 Manuscript: II. L'allemand

21

From The S.M.G. 1691 Manuscript: III. March

22

From The S.M.G. 1691 Manuscript: IV. Menuet

23

From The S.M.G. 1691 Manuscript: V. Menuet

24

From The S.M.G. 1691 Manuscript: VI. Aria. Mit Geduld Will Ich Ertragen

25

From The S.M.G. 1691 Manuscript: VII. Trompeter Stück

26

From The S.M.G. 1691 Manuscript: VIII. Air Gavott

27

From The S.M.G. 1691 Manuscript: IX. Menuet

28

From The S.M.G. 1691 Manuscript: X. Englischer Winck = Tanzt Od(Er) Gique

29

From The S.M.G. 1691 Manuscript: XI. Menuet

30

From The S.M.G. 1691 Manuscript: XII. Folie D'espagne

31

From The S.M.G. 1691 Manuscript: XIII. March

32

From The S.M.G. 1691 Manuscript: XIV. Menuet

33

From The S.M.G. 1691 Manuscript: XV. Aria. Watt Wart Uns Armen Deerens Suhr

34

From The S.M.G. 1691 Manuscript: XVI. Bourée

35

From The S.M.G. 1691 Manuscript: XVII. Menuet

36

From The S.M.G. 1691 Manuscript: XVIII. March Lübwv 22.1

37

From The S.M.G. 1691 Manuscript: XIX. Menuet Lübwv 22.2

38

From The S.M.G. 1691 Manuscript: XX. Gavotte. Sa, Sa, Sa, Die Gesundheit

39

From The S.M.G. 1691 Manuscript: XXI. Entreé

40

From The S.M.G. 1691 Manuscript: XXII. Menuet

41

From The S.M.G. 1691 Manuscript: XXIII. Air

42

From The S.M.G. 1691 Manuscript: XXIV. Trompeter Stück

43

From The S.M.G. 1691 Manuscript: XXV. March

44

From The S.M.G. 1691 Manuscript: XXVI. Bourée

45

From The S.M.G. 1691 Manuscript: XXVII. Menuet

46

Suite In A Minor Lübwv 21: I. Allemande

47

Suite In A Minor Lübwv 21: II. Courante

48

Suite In A Minor Lübwv 21: III. Sarabande

49

Suite In A Minor Lübwv 21: IV. Gigue

50

Menuet

51

March

52

Menuet (2)

53

Passepied

54

Menuet (3)

55

Menuet (4)

56

March (2)

57

Menuet (5)

58

Menuet (6)

59

Menuet (7)

60

Menuet (8)

61

Praeludium In D Major, Lübwv 19.1

62

Ciaconne Lübwv 19.2

63

March (3)

64

Menuet (9)

65

Menuet Du L'empereur Joseph

66

La Reponse Menuet


Item UPC: 5028421954530

Date First Available:

Label: BRILLIANT CLASSICS

Manuel Tomadin

Complete Harpsichord & Organ Music


ABOUT THE ALBUM


Unfortunately, until recently, the music of Vincent Lubeck was simply regarded as northern German music from the 17th century in the pre-Bach era. This recording is the first edition to include all existing organ and harpsichord compositions by Lubeck as well as a series of previously unknown manuscript pieces. Despite Lubeck's fame during his long lifetime, few of his organ works are well known, yet his pieces for organ are the most important in his oeuvre. Influenced by Buxtehude and Reincken, Lubeck composed works that were both technically and artistically elaborate with frequent two-pedal virtuosic passages, five voices and other compositional elements rarely used by most of his contemporaries. Lubeck's Clavier Uebung, written in 1728, consists of a single suite for harpsichord, with the traditional dances (Allemande, Courante, Sarabande and Gigue) preceded by a prelude and fugue and followed by a chaconne. The S.M.G. manuscript from 1691 includes 45 short pieces for keyboard, many anonymous although five are attributed to Lubeck's father, and it also contains the only known compositions by Lubeck's son. These pedagogical pieces work well on a small historic harpsichord or clavichord, or on a small or regal stop organ. In fact, the dynamic markings in certain pieces indicate clavichord, considered to be the preferred instrument on which to learn keyboard technique. Their charm and melodic inventiveness make them a joy to play.

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