1
Fantasie Und Fuge Über Den Choral Ad Nos, Ad Salutarem Undam, S.259: I. Moderato
2
Fantasie Und Fuge Über Den Choral Ad Nos, Ad Salutarem Undam, S.259: II. Adagio
3
Fantasie Und Fuge Über Den Choral Ad Nos, Ad Salutarem Undam, S.259: III. Allegro Deciso - Fuge
4
Präludium Und Fuge Über B-A-C-H, S.260: I. Präludium
5
Präludium Und Fuge Über B-A-C-H, S.260: II. Fuge
6
Weinen, Klagen, Sorgen, Zagen, S.179: I. Variationen
7
Évocation À La Chapelle Sixtine, S.658
8
Der Papst-Hymnus, S.766
9
Weimars Volkslied, S.672
10
Einleitung Zur Legende Der Heiligen Elisabeth, S.663a
11
Hosannah, S.677
12
Ave Maria, S.667b
13
Nun Danket Alle Gott, S.674b
14
Missa Pro Organo Lectarum Celebrationi Missarum Adjumento Inserviens, S.264: I. Kyrie - Andante Moderato
15
Missa Pro Organo Lectarum Celebrationi Missarum Adjumento Inserviens, S.264: II. Gloria - Allegro
16
Missa Pro Organo Lectarum Celebrationi Missarum Adjumento Inserviens, S.264: III. Graduale (Ad Libitum) - Andante Pietoso
17
Missa Pro Organo Lectarum Celebrationi Missarum Adjumento Inserviens, S.264: IV. Credo - Andante Maestoso
18
Missa Pro Organo Lectarum Celebrationi Missarum Adjumento Inserviens, S.264: V. Offertorium - Ave Maria(Ad Libitum) - Andante
19
Missa Pro Organo Lectarum Celebrationi Missarum Adjumento Inserviens, S.264: VI. Sanctus - Maestoso
20
Missa Pro Organo Lectarum Celebrationi Missarum Adjumento Inserviens, S.264: VII. Benedictus - Molto Lento
21
Missa Pro Organo Lectarum Celebrationi Missarum Adjumento Inserviens, S.264: VIII. Agnus Dei - Lento Assai
22
Missa Pro Organo Lectarum Celebrationi Missarum Adjumento Inserviens, S.264: IX. Preludium Zum Haus Des Hernn
23
Offertorium Aus Der Ungarischen Krönungemesse, S.667
24
Orpheus, S.672a - Symphonic Poem No. 4
25
Einleitung, Fuge Und Magnificat Aus Der Symphonie Zu Dantes Divina Commedia, S.672b: I. Einleitung - Adagio, Andante, Un Poco Me
26
Einleitung, Fuge Und Magnificat Aus Der Symphonie Zu Dantes Divina Commedia, S.672b: II. Fuga - Lamentoso
27
Einleitung, Fuge Und Magnificat Aus Der Symphonie Zu Dantes Divina Commedia, S.672b: III. Magnificat - Più Mosso Ma Non T
28
Tu Es Petrus Aus Dem Oratorium Christus, S.664ii
29
Zur Trauung - Sposalizio, S.671
30
Ave Maris Stella, S.34i
31
Salve Regina, S.669/1
32
Rosario, S.670: I Mysteria Gaudiosa- Andante, Un Poco Mosso, II Mysteria Dolorosa - Andante, Un Poco Lento, III Mysteria Glorios
33
Weihnachtsbaum, S.186: I. Psallite - Allegro Non Troppo
34
Weihnachtsbaum, S.186: II. O Heilige Nacht - Lento
35
Weihnachtsbaum, S.186: III. Die Hirten An Der Krippe - Allegretto Pastorale
36
Weihnachtsbaum, S.186: IV. Adeste Fideles - Tempo Di Marcia Moderato
37
Introitus, S.268/1
38
Les Morts - Oraison, S.268/2
39
Kreuzandachten: I. Einleitung - O Crux Ave, Spes Unica - Andante Maestoso
40
Kreuzandachten: II. Jesus Meets His Holy Mother -Lento
41
Kreuzandachten: III. Simon Of Cyrene Helps Jesus Bear The Cross - Andante
42
Kreuzandachten: IV. Jesus Is Stripped Of His Garments - Lento
43
Kreuzandachten: V. Jesus Is Taken Down From The Cross - Andante Moderato
44
Consolation D-Flat Major
45
Consolation E Major
46
Resignazione, S187a/I
47
Requiem Für Die Orgel, S.266: I. Requiem - Adagio Sostenuto
48
Requiem Für Die Orgel, S.266: II. Dies Irae - Alla Breve, Molto Mosso
49
Requiem Für Die Orgel, S.266: III. Recordare Pie Jesu - Lento Assai
50
Requiem Für Die Orgel, S.266: IV. Sanctus - Maestoso Assai
51
Requiem Für Die Orgel, S.266: V. Benedictus - Lento
52
Requiem Für Die Orgel, S.266: VI. Agnus Dei - Lento
53
Requiem Für Die Orgel, S.266: VII. Postludium - Lento
54
Gebet, S.667b/II
55
Am Grabe Richard Wagners, S.267
56
San Francesco. S.665
57
Ora Pro Nobis - Litanei, S.262
58
Ungarns Gott, S.674
59
Andante Religioso, S.261a
60
Excelsior! - Preludio, S.666
61
Kirchliche Fest-Ouvertüre Arr. Of "Ein Feste Burg Ist Unser Gott" By O. Nicolai
62
Adagio Vom Bach Arr. Of Violin Sonata No. 4, Bwv1017
63
Einleitung Und Fuge From The Cantata "Ich Hatte Viel Bekümmernis", Bwv21 By J.S. Bach
64
Andante From "Aus Tiefer Not Schrei Ich Zu Dir", Bwv38 By J.S. Bach
65
Ave Maria Based On Pierre-Louis Dietsch's Adaptation Of A Madrigal By J. Arcadelt
66
2 Preludes By F. Chopin: I. Prélude, Op. 28 No. 4
67
2 Preludes By F. Chopin: II. Prélude, Op. 28 No. 9
68
Regina Coeli Laetare Arr. Of The Motet By O. De Lassus
69
Ave Verum Corpus De Mozart Arr. Of "Ave Verum Corpus", K618 By W.A. Mozart
70
Agnus Dei Della Messa Da Requiem Di Giuseppe Verdi Based On No. 5 Of The Requiem By G. Verdi
71
Chor Der Jüngeren Pilger Based On The Chorus "Heil! Heil! Der Gnade Wunder Heil!" From Act III Of "Tannh&aum
Item UPC: 5028421950358
Date First Available:
Label: BRLT
Complete Organ Music
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ABOUT THE ALBUM
Liszt the piano virtuoso, the inventor of the orchestral symphonic poem, the apostle of 'the music of the future', is a familiar figure. Liszt the organ enthusiast is not so well known. His fondness for the instrument is shown by frequent references in his correspondence, by his transcriptions for it, and, most of all, by a handful of original masterpieces. Liszt's first and largest work for the organ was the Fantasy and Fugue on Ad nos, ad salutarem undam, based on the chorale sung in the first act of Meyerbeer's opera Le Prophete. 'A kind of curiosity', he wrote to his publisher, but then later to a friend accounted for it as 'one of my least bad productions'. As well he might, for it is highly dramatic, full of fire and energy: the fugue is almost a symphonic poem in it's own right, whose cumulative impact is succeeded only in his organ writing by the Prelude and Fugue on B-A-C-H. Liszt's veneration for Bach also expressed itself in his other major original masterpiece for the instrument, the set of variations on the lamenting 'Weinen, Klagen, Sorgen, Zagen' cantata melody. His profound faith and fascination with the tonal rainbow afforded by the organ also inspired a great deal of lesser-known music, however, both original and transcribed. Allegri's Miserere receives a dramatic transcription, while the pellucid simplicity of Mozart's Ave verum is treated respectfully, like the Agnus dei from Verdi's Requiem. Indeed nearly all of Liszt's output for the organ shares a devotional quality quite foreign to it's common use among 19th-century composers as a vehicle for volume and virtuosity. Adriano Falcioni's recordings for Brilliant encompass many of the Romantic era's most celebrated organ composers.
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