Stoke

Repressing of this 2002 release and Jeck's third release for Touch, after Loopholes and Surf. Stoke was Inade using Bush, Fidelity and Philips record players, a Casio keyboard and an Alba portable CD player. This record mainly consists of edits of live performances from England, Japan and Vienna. The notion oftumtablism may be associated with flashy, deck-hopping scratch gymnastics, but the use of the record player as an instrument harks back to a less ostentatious tradition of music making. John Cage, Karlheinz Stockhausen, Pierre Schaeffer, and James Tenney recognized. Records and turntable mechanisms as malleable sound sources. In essence, sampling began with the real-time deployment of gramophones in performance by these artists and academics. Philip leek, like peers Christian Marclay, Otomo Yoshihide, and Martin Tetrealllt, legitimizes the turntable as a musical instrument. Touch. 2005.