Terre Est Un Homme

Ferneyhough is widely recognized as one of today's foremost living composers. Since the mid-1970s, when he first gained widespread international recognition, his music has earned him a reputation as one of the most influential creative personalities and significant musical thinkers on the contemporary scene. The monolithic La Terre est un Homme, with it's 4-foot-tall score and written for an orchestra of eighty-eight, each of whom at times becomes a soloist with their own individual stave, caused a scandal at it's 1979 premiere and has scarcely been heard since. The title comes from a painting from 1942 by Roberto Matta, which reminded Ferneyhough of a dream he had experienced: "I dreamt of a strange and alien planet traversed by a pitilessly hot sun. It was basically a desert landscape. The remarkable thing was, I seemed to be seeing every single grain of sand separately, not only in it's spatial dimensions but also - somehow - in it's individual weight...." The second giant orchestral work on this album is Plotzlichkeit which includes three female singers, whose vocalise blends with the orchestra like a modern-day Debussy's Sirenes. The BBC Symphony Orchestra under conductor Martyn Brabbin's direction throw themselves fearlessly into this demanding and densely notated music. Brian Ferneyhough was just 26 when he composed Missa Brevis. Written for 12 voices and divided into three four-part choirs, it is superbly performed on this album by EXAUDI. The most recent work is Liber Scintillarum, commissioned by ensemble recherche and premiered at Darmstadt in 2012.