1
Daphnis et Chloé, M. 57, Pt. 1: Introduction
2
Daphnis et Chloé, M. 57, Pt. 1: Danse religieuse
3
Daphnis et Chloé, M. 57, Pt. 1: Danse générale
4
Daphnis et Chloé, M. 57, Pt. 1: Danse grotesque de Dorcon
5
Daphnis et Chloé, M. 57, Pt. 1: Danse légère et gracieuse de Daphnis
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Daphnis et Chloé, M. 57, Pt. 1: Devant le groupe radieux que forment Daphnis et Chloé enlacés
7
Daphnis et Chloé, M. 57, Pt. 1: Danse de Lycéion
8
Daphnis et Chloé, M. 57, Pt. 1: Les pirates
9
Daphnis et Chloé, M. 57, Pt. 1: Une lumière irréelle enveloppe le paysage
10
Daphnis et Chloé, M. 57, Pt. 1: Danse lente et mystérieuse des Nymphes
11
Daphnis et Chloé, M. 57, Pt. 1: Interlude
12
Daphnis et Chloé, M. 57, Pt. 2: Danse guerrière
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Daphnis et Chloé, M. 57, Pt. 2: Danse suppliante de Chloé
14
Daphnis et Chloé, M. 57, Pt. 2: Soudain l'atmosphère semble chargée d'éléments insolites
15
Daphnis et Chloé, M. 57, Pt. 3: Lever du jour
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Daphnis et Chloé, M. 57, Pt. 3: Daphnis et Chloé miment l'aventure de Pan et de Syrinx
17
Daphnis et Chloé, M. 57, Pt. 3: Chloé figure par sa danse les accents de la flûte
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Daphnis et Chloé, M. 57, Pt. 3: Chloé tombe dans les bras de Daphnis
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Daphnis et Chloé, M. 57, Pt. 3: Danse générale
Item UPC: 5021732628237
Date First Available:
Label: ERATO
Ravel / Shokhakimov, Aziz / Orchestre Philharmoniqu
Ravel: Daphnis Et Chloe
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ABOUT THE ALBUM
The spectacular score for Daphnis et Chloé is Ravel's most ambitiously scaled work. First performed in 1912 and designated a 'symphonie chorégraphique', it runs for about an hour and calls for a large orchestra (including miniature bronze cymbals, castanets and a wind machine) and a wordless chorus as it portrays the adventures of a pair of young pastoral lovers in ancient Greece. When the Orchestre Philharmonique de Strasbourg, conducted by Aziz Shokakhimov, performed Daphnis et Chloé in concert in 2024, Résonances Lyriques admired "a euphoric soundscape", citing the "opalescent timbres... captivating unity and legato in the upper strings; controlled, noble amplitude in the lower strings; impeccable, often seemingly weightless woodwind; brass that was not so much keen-edged as embracing; multicoloured percussion... and harps that were both intense and aristocratic."
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