Holly Golightly - Singles Round-up vinyl record cover

1

Virtually Happy

2

The Ride #1

3

No Big Thing

4

My Own Sake

5

Til I Get

6

Waiting Room

7

I Can't Be Trusted

8

Card Table

9

No Hope Bar

10

Believe Me #1

11

Come The Day

12

In You

13

Believe Me #2

14

Stain

15

Won't Go Out

16

Too Late Now

17

Sand

18

Lonesome Town

19

Your Love Is Mine

20

Laughing To Keep From Crying

21

Listen

22

Rain Down Rain

23

You Shine

24

Box Elder


Item UPC: 5020422019027

Date First Available:

Label: DAMAGED GOODS

Holly Golightly

Singles Round-up


ABOUT THE ALBUM


New digipack CD! Holly Golightly (real name) started her musical career as a founder member of all girl garage band Thee Headcoatees, a Billy Childish / Thee Headcoats splinter group in 1991. She spent four years as a Headcoatee before breaking away to release her debut record, The Good Things, in 1995. Where the Headcoatees sound was a blend of girl group sounds and three-chord garage-rock with all the original songs coming from the pen of Billy Childish, Holly's solo sound is more a blend of pre-rock electric blues, folk rock, and less frantic rock 'n' roll. Apart from the wide range of covers of such artists as Willie Dixon, Ike Turner, Lee Hazelwood, Wreckless Eric, and Bill Withers, Golightly also writes most of her own material. Holly Golightly is definitely the most interesting and diverse artist to come out of the Billy Childish school and is certainly one of the better singer/songwriters of the post-grunge era who gets better with every album. Since her debut in 1995, Golightly has been very prolific, releasing a string of classic long play records and loads of singles for a wide variety of labels as well as touring extensively in America, Australia & Europe. This double vinyl LP, (or single CD newly packaged in a digipack) compiles Holly's first twelve 7 singles, A & B-sides. It includes the bluesy 'No Big Thing' with its bar-room piano and harmonica backing, the dirty guitar-driven 'Til I Get, the shuffling brushed drums and double bass of 'Come The Day, the haunting vocal and bottleneck guitar of 'Stain' and finishes with a brilliant up-tempo cover of Pavement's 'Box Elder'.

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