Fred Astaire - Sings Georg & Ira Gershwin vinyl record cover

1

Hang on to Me

2

Fascinating Rhythm

3

Half of It Dearie, Blues, the

4

I'd Rather Charleston

5

Funny Face

6

Babbitt and the Bromide, the

7

High Hat

8

My One and Only

9

They Can't Take That Away from Me 1

10

They All Laughed 1

11

(I've Got) Beginner's Luck 1

12

Let's Call the Whole Thing Off 1

13

Shall We Dance? 1

14

Slap That Bass 1

15

Foggy Day, a 1

16

Things Are Looking Up 1

17

Nice Work If You Can Get It 1

18

I Can't Be Bothered Now


Item UPC: 5019317015824

Date First Available:

Label: HYC

Fred Astaire

Sings Georg & Ira Gershwin


ABOUT THE ALBUM


FRED ASTAIRE SINGS GEORGE & IRA GERSHWIN Frederick Austerlitz (Astaire) was born in Omaha, Nebraska, on May 10, 1899, younger brother of Adele, children of an Austrian immigrant (he was a successful beer-salesman), no-one had any idea that he would ever become a stage personality, or even to have anything to do with show business. Adele, on the other hand, showed blossoming talent as a five-year-old in dancing lessons, and her father encouraged her to the extent of sending her with her mother (and young Frederick) to New York to see what fame and fortune might offer there. Fred went along for the ride, as he put it years later, and it soon became obvious that here was a talent even more promising than Adele's. Through their teens, Fred and Adele were a team that appeared in many broadway musicals, some great successes like 'Apple Blossoms' in 1919, and sometimes their accompanist was a young man who had already had several song hits and a show for which he had written the music. It was called 'Good Morning, Judge', music by George Gershwin. George can be heard accompanying Fred on this Audio CD. George Gershwin died tragically young - two months short of his thirty-eighth birthday on July 11, 1937. Fred Astaire outlived him by just fifty years, during which time he made many films that reiterated his incomparable ability as a dancer - though at ballroom dancing he was only mediocre - and as a straight, even at times a dramatic actor. He had many partners as a stage dancer in those years, and was well-served by other composers, but rarely did any of these latter-day musicals reach quite the same standards as were set by the performances immortalized here, the result of an artisitic partnership between the son of a well-to-do Austrian immigrant from the mid-west and the son of a poor Jewish immigrant from Brooklyn, New York. What they produced was indeed nice work - and we got it, for always.

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