In the Ascendancy: The Jazz Avant-Garde / Various - In The Ascendancy: The Jazz Avant-Garde / Various vinyl record cover

1

Lonely Woman-Ornette Coleman

2

Eventually-Ornette Coleman

3

Peace-Ornette Coleman

4

Focus on Sanity-Ornette Coleman

5

Congeniality-Ornette Coleman

6

Chronology-Ornette Coleman

7

Ictus-

8

That's True, That's True-Jimmy Giuffre

9

Sonic-Jimmy Giuffre

10

Whirrr-Jimmy Giuffre

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Carla-Jimmy Giuffre

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Goodbye-Jimmy Giuffre

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Flight-Jimmy Giuffre

14

The Gamut-Jimmy Giuffre

15

Ancient Aiethopia-Sunra

16

Spiritual-John Coltrane -Eric Dolphy

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Softly, As in a Morning Sunrise-John Coltrane -Eric Dolphy

18

Chasin' the Trane-John Coltrane

19

Naima (With John Coltrane)-Eric Dolphy

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To Her Ladyship (With John Coltrane)-Eric Dolphy

21

Stolen Moments (With Oliver Nelson)-Eric Dolphy

22

Glad to Be Unhappy-Eric Dolphy

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God Bless the Child-Eric Dolphy

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Warm Canto (With Mal Waldron)-Eric Dolphy

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Left Alone-Eric Dolphy

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Abstract-Joe Harriott Quintet

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Impression-Joe Harriott Quintet

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Straight Lines-Joe Harriott Quintet

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Calypso Sketches-Joe Harriott Quintet

30

Bemsha Swing-Cecil Taylor

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Charge 'Em Blues-Cecil Taylor

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Azure-Cecil Taylor

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Song-Cecil Taylor

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You'd Be So Nice to Come Home To-Cecil Taylor

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Rick Kick Shaw-Cecil Taylor

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Sweet and Lovely-Cecil Taylor

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Free-Albert Ayler Free


Item UPC: 5013929337732

Date First Available:

Label: EL RECORDS

In the Ascendancy: The Jazz Avant-Garde / Various

In The Ascendancy: The Jazz Avant-Garde / Various

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ABOUT THE ALBUM


A 3CD anthology of Free / Avant-Garde jazz. The landmark albums included here in their entirety are Ornette Coleman's 'The Shape of Jazz to Come', 'Thesis' by The Jimmy Giuffre 3, John Coltrane's '"Live" at the Village Vanguard' (including the controversial 'Chasin' the Trane'), 'Warm Canto' by Eric Dolphy (his work on flute bass clarinet) and from the astonishing date of 1956, Cecil Taylor's 'Jazz Advance', the earliest recording of the new music. Featuring key works by the pioneers of the new music; the saxophonists Ornette Coleman, John Coltrane, Albert Ayler and Joe Harriott; the pianists Cecil Taylor and Sun Ra; and the multi-reed men Eric Dolphy and Jimmy Giuffre, whose minimalist abstractions for clarinet are in fascinating contrast to the labyrinthine, raga like lines of Coleman or Coltrane, Ayler's cries from the ghetto, or the Impressionist dissonances of Taylor. If, in the work of Joe Harriott, the flavour of calypso is implicit then similarly that alluring juxtaposition of antique Africa and the cosmos in the music of Sun Ra.

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