1
Manière de Commencement
2
Prolongation Du Même
3
Morceaux I. Lentement
4
Morceaux II. Enlevé
5
Morceaux III. Brutal
6
En Plus. Calme
7
Redite. Dans Le Lent
8
Obstacles Venimeux
9
Crépuscule Matinal (De Midi)
10
Affolements Granitiques
11
Doux Et Calme
12
Simplement
13
Un Peu Mouvementé
14
No. 1 Lent Et Douloureux
15
No. 2 Lent Et Triste
16
No. 3 Lent Et Grave
17
Sa Taille
18
Son Binocle
19
Ses Jambes
20
Idylle
21
Aubade
22
Méditation
23
No. 1 Lent
24
No. 2 Avec Étonnement
25
No. 3 Lent
26
Grande Ritournelle
27
Marche Franco Lunaire
28
Valse Du Mysterieux Baiser Dans L'oeil
29
Can-Can Grand-Mondain
30
En Habit de Cheval
31
Apercus Désagréables
32
Manière de Commencement
33
Prolongation Du Même
34
Morceaux I. Lentement
35
Morceaux II. Enlevé
36
Morceaux III. Brutal
37
En Plus. Calme
38
Redite. Dans Le Lent
39
Je Te Veux (I Want You) Jean Wiener: Piano
40
Prélude de la Porte Héroique Du Ciel
41
Prélude Posthume
42
Sur Un Vaisseau
43
Sur Une Lanterne
44
Sur Un Casque
45
Gymnopédie No. 1
46
Sarabande No. 2
47
Gnossienne No. 3
48
Idylle
49
Aubade
50
Méditation
51
Tyrolienne Turque
52
Danse Maigre
53
Españaña
54
Nocturne No. 5
55
Sévère Reprimande
56
Seul A la Maison
57
On Joue (We Play)
58
Gnossienne No.1
59
Gnossienne No.2
60
Gnossienne No.3
61
Celle Qui Parle Trop
62
Le Porteur de Grosses Pierres
63
Regrets Des Enfermés
64
D'holothurie
65
D'edriophthalma
66
De Podophthalma
67
Choral Inappetissant (Unappetizing Chorale)
68
La Balançoire (The Swing)
69
La Chasse (Hunting)
70
La Comédie Italienne (The Italian Comedy)
71
Le Réveil de la Mariée (The Awakening of the Bride)
72
Colin-Maillard (Blind Man's Buff)
73
La Pêche (Fishing)
74
Le Yachting (Yachting)
75
Le Bain de Mer (Sea Bathing)
76
Le Carnaval (Carnival)
77
Le Golf (Golf)
78
La Pieuvre (The Octopus)
79
Les Courses (Racing)
80
Les Quatre-Coins (Puss in the Corner)
81
Le Pique-Nique (The Picnic)
82
Le Water-Chute (The Water Chute)
83
Le Tango (Perpétuel) (The Perpetual Tango)
84
Le Traîneau (The Sled)
85
Le Flirt (Flirting)
86
Le Feu D'artifice (Fireworks)
87
Le Tennis (Tennis)
88
Gymnopédie No.1
89
Gymnopédie No.2
90
Gymnopédie No.3
91
La Diva de L'empire (The Diva of the Empire)
92
Choral
93
Fugue Litanique
94
Autre Choral
95
Fugue de Papier
96
Choral
97
Prélude Du Rideau Rouge
98
Prestidigitateur Chinois
99
Petite Fille Américane - Rag Time Du Paquebot
100
Acrobates
101
Final - Suite Au Prélude Du Rideau Rouge
102
De L'enfance de Pantagruel
103
Marche de Cocagne
104
Jeux de Gargantua
105
Choral
106
Fugue Litanique
107
Autre Choral
108
Fugue de Papier
109
Choral
110
Prélude Du Rideau Rouge
111
Prestidigitateur Chinois
112
Petite Fille Américane - Rag Time Du Paquebot
113
Acrobates
114
Final - Suite Au Prélude Du Rideau Rouge
115
Prélude Du Rideau Rouge - Prestigitateur Chinois
116
Petite Fille Américane - Rag Time Du Paquebot
117
Acrobates - Suite Au Prélude Du Rideau Rouge
118
De L'enfance de Pantagruel
119
Marche de Cocagne
120
Jeux de Gargantua
121
Gymnopedie No.1
122
Gymnopedie No 1
123
Gymnopedie No 2
124
In Conversation Regarding Satie and Noise in the Environment
125
Waltz from Three Easy Pieces for Piano Duet
126
Kyrie Eleison
127
Prière Des Orgues
128
Commune Qui Mundi Nefas
129
Chant Ecclésiastique
130
Prière Pour Les Voyageurs Et Les Marins en Danger de Mort
131
Prière Pour Le Salut de Mon me
132
Portrait of Socrates (The Banquet)
133
The Banks of the Ilissus (Phedre)
134
The Death of Socrates (Phedon)
135
Portrait of Socrates (The Banquet)
136
The Banks of the Ilissus (Phedre)
137
The Death of Socrates (Phedon)
138
La Statue de Bronze
139
Daphénéo
140
Le Chapelier
Item UPC: 5013929336438
Date First Available:
Label: EL RECORDS
ABOUT THE ALBUM
A four disc Box set collection of historic Satie recordings, ranging from the 1920's onwards. Including such rarities as Henri Sauguet's 'Socrate' for solo voice and orchestra; piano sets by William Masselos and Aldo Ciccolini that have been out of print for decades; Serge Koussevitzky's vintage recordings of the 'Gymnopédies', (arranged for orchestra by Claude Debussy), and Francis Poulenc and Georges Auric's two pianos and four hands arrangement of 'Parade', the Diaghilev-Picasso-Cocteau ballet which created a scandal in Paris and for the first time forced upon Satie the glare of publicity. Satie's best known compositions, 'Trois Gymnopédies', composed in 1888 at the age of 22, and 'Trois Gnossiennes', which was written two years later, create the impression of being either very archaic or very modern; astonishing early expressions of the composer's originality. He invented minimalism, ambient music, (which he called "furnishing music") and prepared pianos in the 1890s, exploring new musical territories that John Cage would re-visit decades later. Deeply eccentric, Satie faced much derision during his lifetime, but today his uncompromising attitudes are widely admired and he now occupies a unique place in the realm of popular culture. Artists as diverse as David Hockney, Diana Rigg, Robert Wyatt and Eno are among those who have fallen under his spell. "Of all the influential composers of our time, Satie is the only one whose works can be enjoyed and appreciated without any knowledge of the history of music... They are as simple, as straightforward, as devastating as the remarks of a child. To the uninitiated they sound trifling. To those who love them they are fresh and beautiful and firmly right. " Virgil Thomson
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