King Crimson - December 21 2015 Century Hall Nagoya Japan (Shm) vinyl record cover

1

Entrance: Monk Morph Music of the Chamber

2

Larks' Tongues in Aspic, Part I

3

Scenes of a Cold City

4

Peace

5

Radical Action

6

Meltdown

7

Radical Action II

8

Level Five

9

Epitaph (Tombstone Inscription)

10

The Hell Hounds of Krim

11

The Construction of Light

12

A Scarcity of Miracles

13

Banshee Legs Bell Hassle

14

Easy Money

15

The Letters

16

Sailor's Tale

17

Red

18

Starless

19

The Court of the Crimson King

20

21st Century Schizoid Man


Item UPC: 4988031835883

Date First Available:

Label: UNIVERSAL JAPAN

King Crimson

December 21 2015 Century Hall Nagoya Japan (Shm)


ABOUT THE ALBUM


King Crimson 2015 Complete 10 Shows Series Part 3 Release No.3 presents the December 21 Nagoya performance, the final show of the 2015 tour, issued on SHM-CD as a 2-disc set housed in an E-style gatefold cardboard sleeve, capturing a moving and fully realized performance that serves as a fitting conclusion to the fruitful tour during which Robert Fripp decided to continue King Crimson, with the Millennium King Crimson lineup, active since 2014, having undertaken a 10-show Japan tour in December 2015 that is being released in three phases following the first release in December 2015 and the second in February, with this final third release covering the regional performances in Osaka on December 12 and 13, Takamatsu on December 19, and the concluding Nagoya show, part of a tour that began in late August and spanned more than 30 performances across the UK, Europe, Canada, and Japan, beginning in a relaxed atmosphere before building into a heavyweight second half highlighted by an outstanding final stretch from Easy Money and Red through 21st Century Schizoid Man, widely regarded as one of the best moments of the Japan tour, with the second set matching the intensity of the Takamatsu performance and standing as a must-hear for fans, sourced from the digitally recorded master data captured on the day and mixed by Alex Mundy.

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