DIETRICH FISCHER-DIESKAU - Orchestral Songs vinyl record cover

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Goethe-Lieder (Version For Voice & Orchestra): No. 49, Prometheus

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Goethe-Lieder (Version For Voice & Orchestra): No. 29, Anakreons Grab

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Goethe-Lieder (Version For Voice & Orchestra): No. 1, Harfenspieler I

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Goethe-Lieder (Version For Voice & Orchestra): No. 2, Harfenspieler II

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Goethe-Lieder (Version For Voice & Orchestra): No. 3, Harfenspieler III

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Italienisches Liederbuch (Version For Voice & Orchestra): No. 17, Und Willst Du Deinen Liebsten Sterben Sehen

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Italienisches Liederbuch (Version For Voice & Orchestra): No. 33, Sterb' Ich, So Hüllt In Blumen Meine Glieder

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Mörike-Lieder (Version For Voice & Orchestra): No. 39, Denk' Es, O Seele!

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Mörike-Lieder (Version For Voice & Orchestra): No. 28, Gebet

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Mörike-Lieder (Version For Voice & Orchestra): No. 10, Fußreise

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Mörike-Lieder (Version For Voice & Orchestra): No. 46, Gesang Weylas

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Mörike-Lieder (Version For Voice & Orchestra): No. 22, Seufzer

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Eichendorff-Lieder: No. 1, Der Freund (Version For Voice & Orchestra)

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Spanisches Liederbuch: No. 21, Herz, Verzage Nicht Geschwind (Version For Voice & Orchestra)

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Michelangelo-Lieder (Version For Voice & Orchestra): No. 1, Wohl Denk Ich Oft An Mein Vergangnes Leben

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Michelangelo-Lieder (Version For Voice & Orchestra): No. 2, Alles Endet, Was Entstehet

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Michelangelo-Lieder (Version For Voice & Orchestra): No. 3, Fühlt Meine Seele Das Ersehnte Licht


Item UPC: 4011790190228

Date First Available:

Label: ORFEO

DIETRICH FISCHER-DIESKAU

Orchestral Songs

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ABOUT THE ALBUM


Hardly any other singer was more associated with and devoted to the nigh 300 songs by the Austrian composer Hugo Wolf than Dietrich Fischer-Dieskau. Utterly convinced by the richness of Wolf's oeuvre, Fischer-Dieskau took Wolf's previously hardly heeded songs to many stages throughout the world. Reger was frowned upon as an 'awkward traditionalist' and 'piece worker', but Reger's songs show a completely different, moving and profound side of the composer, who takes a significant position in the song composition of the turn of the century. Even Fischer-Dieskau did not devote himself to Reger exactly frequently, unlike his downright encyclopaedic approach in other fields. In his recording of a number of particularly fine gems among Reger's orchestral songs, he was supported by Gerd Albrecht. The outcome is an artistic symbiosis of the highest quality, testifying to a passion and ardency that can be found seldom: a veritable sound document!

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