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Beethoven: Symphony No.7 in A Major Op.92 I. Poco sostenuto - Vivace
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Beethoven: Symphony No.7 in A Major Op.92 II. Allegretto
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Beethoven: Symphony No.7 in A Major Op.92 III. Presto - Assai meno presto
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Beethoven: Symphony No.7 in A Major Op.92 IV. Allegro con brio
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Beethoven: The Creatures of Prometheus Op.43 Overture. Adagio - Allegro molto e con brio
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Beethoven: The Creatures of Prometheus Op.43Introduction "La Tempesta". Allegro non troppo
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Beethoven: The Creatures of Prometheus Op.43
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Poco adagio - Allegro con brio
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Beethoven: The Creatures of Prometheus Op.43
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Adagio - Allegro con brio
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Beethoven: The Creatures of Prometheus Op.43
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Allegro vivace
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Beethoven: he Creatures of Prometheus Op.43
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Maestoso - Andante
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Beethoven: The Creatures of Prometheus Op.43
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Adagio - Andante quasi allegretto
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Beethoven: The Creatures of Prometheus Op.43
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Un poco adagio - Allegretto
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Beethoven: The Creatures of Prometheus Op.43
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Grave
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Beethoven: The Creatures of Prometheus Op.43
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Marcia. Allegro con brio - Presto
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Beethoven: The Creatures of Prometheus Op.43
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Adagio - Allegro molto
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Beethoven: The Creatures of Prometheus Op.431
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Pastorale. Allegro
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Beethoven: The Creatures of Prometheus Op.431
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Coro di Gioja. Andante
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Beethoven: The Creatures of Prometheus Op.431
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Solo di Gioja. Maestoso - Adagio - Allegro
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Beethoven: The Creatures of Prometheus Op.431
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Terzettino - Grotteschi. Allegro - Comodo
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Beethoven: The Creatures of Prometheus Op.431
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Solo della Signora Cassentini. Andante - Adagio - Allegro - Allegretto
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Beethoven: The Creatures of Prometheus Op.431
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Coro e Solo di Viganò. Andantino - Adagio - Allegro
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Beethoven: The Creatures of Prometheus Op.431
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Finale. Allegretto - Allegro molto - Presto
Item UPC: 3149020943014
Date First Available:
Label: HARMONIA MUNDI
ABOUT THE ALBUM
In the words of Richard Wagner, Beethoven's Seventh is a true "apotheosis of the dance". It has enjoyed perennial popularity ever since it's premiere, unlike his sole ballet, The Creatures of Prometheus, of which only the overture has remained (more or less) familiar to us. The musicians of the Freiburger Barockorchester, under the direction of their Konzertmeister Gottfried von der Goltz, offer a brillant new version of this key work in Beethoven's corpus while reviving the complete version of one of his most unjustly forgotten masterpieces.
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