Larry June - Who Coppin vinyl record cover

1

Go Outside Intro (feat. Wallo267)

2

The Machinist

3

Casual Monday

4

Better Decisions

5

Everything Liquid

6

Organic Motion (feat. DJ.Fresh)

7

The Smooth Kind

8

California Dream (feat. Jhené Aiko)

9

Pretty Green Eyes (feat. Jay Versace & Musiq Soulchild)

10

Win or Lose (feat. B-Legit)

11

3 Calculators

12

Flex (feat. Swizz Beatz)

13

Who Coppin

14

Organically Slidin'

15

Larry's Diner Pt. 2

16

God Got Us (Ain't Too Many)


Item UPC: 199316709834

Date First Available:

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Label: EMPIRE

Larry June

Who Coppin

Indie Exclusive Clear & Orange Splatter

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ABOUT THE ALBUM


Larry June has built a career on making hard work look effortless, and his album Who Coppin’ stands as a masterclass in smooth, lifestyle-driven West Coast hip-hop. The album delivers a high-grade mix of Bay Area luxury, entrepreneurial motivation, and unbothered charismatic flows. Spanning a laid-back audio palette designed for early-morning juice runs and late-night freeway cruises alike, Uncle Larry balances the discipline of a hustle-first mindset with warm, sun-drenched production anchored by crisp organic instrumentation and heavy-knocking bass. The album features a tightly curated roster of collaborators who align seamlessly with Larry's signature aesthetic. Spoken-word encouragement from Wallo267 sets an intentional tone on the opener "Go Outside Intro," framing the record around execution and focus. Soulful contributions from Jhené Aiko on "California Dream" and Musiq Soulchild on "Pretty Green Eyes" provide lush R&B textures, while NorCal legend B-Legit and longtime partner DJ.Fresh reinforce June’s deep West Coast roots. Meanwhile, Swizz Beatz injects high-energy bounce into "Flex," offering a vibrant contrast to Larry’s understated, cool-headed cadence. Behind the boards, top-tier producers like Cardo, Teeko, Beat Butcha, Jay Versace, and June Santana craft a nostalgic yet modern backdrop filled with warm sample flips, smooth G-funk synthesizers, and relaxed soul grooves. The project builds to an emotionally grounded conclusion on "God Got Us (Ain't Too Many)," where June strips away the flexes to offer direct encouragement to his audience, proving once again that consistency, self-belief, and steady progress remain the ultimate luxuries.

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