Vladimir Horowitz - Vladimir Horowitz - the Great Comeback vinyl record cover

1

2

Horowitz Improvising (Remastered)

3

4

Horowitz Testing the Piano (Remastered)

5

6

Horowitz Improvising II (Remastered)

7

8

Conversation: "It sounds very good in here" (Remastered)

9

10

Toccata, Adagio and Fugue in C Major, BWV 564; I. Preludio, quasi improvisando. Tempo moderato (Remastered)

11

12

Toccata, Adagio and Fugue in C Major, BWV 564; II. Intermezzo. Adagio (Remastered)

13

14

Toccata, Adagio and Fugue in C Major, BWV 564; III. Fuga. Moderamente scherzando, un poco umoristico (Remastered)

15

16

Conversation: "Just a sample, you know" (Remastered)

17

18

Polonaise-fantaisie in A-Flat Major, Op. 61 (Remastered) 1

19

1

20

Conversation: "Okay, we're all rolling" (Remastered) 1

21

1

22

Etudes, L. 136: 1

23

Pour les arpèges composés (Remastered) 1

24

1

25

Conversation: "Yeah. Maybe here it'll be late a few notes" (Remastered) 1

26

1

27

Fantasie in C Major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen (Remastered) 1

28

1

29

Conversation: "Now the remaining five minutes" (Remastered) 1

30

1

31

Nocturne No. 15 in F Minor, Op. 55, No. 1 (Remastered) 1

32

33

Rehearsing Moszkowski Etude, Op. 72, No. 11 (Remastered) 1

34

35

Conversation: "Very difficult to play refined" (Remastered) 1

36

37

Conversation: "Mr. Kazdin?" (Remastered) 1

38

39

Nocturne No. 15 in F Minor, Op. 55, No. 1 (Remastered) 2

40

41

Conversation: "How it sounds to you?" (Remastered) 2

42

43

Fantasie in C Major, Op. 17; I. Durchaus phantastisch und leidenschaftlich vorzutragen 2

44

45

Fantasie in C Major, Op. 17; II. Mässig. Durchaus energisch 2

46

47

Fantasie in C Major, Op. 17; III. Langsam getragen. Durchweg leise zu halten 2

48

49

Conversation: "Very good" (Remastered) 2

50

1

51

Horowitz Practicing Etudes, L. 136:

52

Pour les huit doigts (Remastered) 2

53

1

54

Conversation: "We're ready whenever you are" (Remastered) 2

55

1

56

Conversation: "Hello?" (Remastered) 2

57

1

58

Mazurka No. 3 in C Minor, Op. 56 (Remastered) 2

59

1

60

Conversation: "I don't want..." (Remastered) 3

61

1

62

Ballade No. 1 in G Minor, Op. 23 (Remastered) 3

63

1

64

Conversation: "I did it for my piano" (Remastered) 3

65

66

Conversation: "...to see how it sounds for you" (Remastered) 3

67

68

Polonaise-fantaisie in A-Flat Major, Op. 61 - Soundcheck [bars 1-23] (Remastered) 3

69

70

Conversation:"It sounds very beautiful" (Remastered) 3

71

72

Polonaise-fantaisie in A-Flat Major, Op. 61 - Take 1 [bars 1-39] (Remastered) 3

73

74

Polonaise-fantaisie in A-Flat Major, Op. 61 - Take 1 [bars 21-87] (Remastered) 3

75

76

Polonaise-fantaisie in A-Flat Major, Op. 61 - Take 1 [bars 56-61] (Remastered) 3

77

78

Polonaise-fantaisie in A-Flat Major, Op. 61 - Take 1 [bars 60-198] (Remastered) 3

79

80

Polonaise-fantaisie in A-Flat Major, Op. 61 - Take 1 [bars 196-288 (end)] (Remastered) 4

81

82

Conversation: "That probably..." (Remastered) 4

83

1

84

Nocturne No. 15 in F Minor, Op. 55, No. 1 - Take 1 (Remastered) 4

85

1

86

Conversation:"Very good take" (Remastered) 4

87

1

88

Nocturne No. 15 in F Minor, Op. 55, No. 1 - Insert 1 Take 1 [bar 41] (Remastered) 4

89

1

90

Nocturne No. 15 in F Minor, Op. 55, No. 1 - Insert 1 Take 1 [bars 41-88] (Remastered) 4

91

1

92

Nocturne No. 15 in F Minor, Op. 55, No. 1 - Insert 1 Take 1 [bars 85-93] (Remastered) 4

93

1

94

Nocturne No. 15 in F Minor, Op. 55, No. 1 - Insert 1 Take 1 [bars 89-92] (Remastered) 4

95

1

96

Nocturne No. 15 in F Minor, Op. 55, No. 1 - Insert 1 Take 1 [bars 89-99 (except ending)] (Remastered) 4

97

1

98

Conversation: "Okay then. Ballade now" (Remastered) 4

99

1

100

Ballade No. 1 in G Minor, Op. 23 - Take 1 [bars 1-36] (Remastered) 5

101

1

102

Ballade No. 1 in G Minor, Op. 23 - Take 1 [Bars 32-179] (Remastered) 5

103

2

104

Ballade No. 1 in G Minor, Op. 23 - Take 1 [Bars 162-258] (Remastered) 5

105

2

106

Ballade No. 1 in G Minor, Op. 23 - Take 1 [bars 257-264 (end)] (Remastered) 5

107

2

108

Conversation: "Well, we have to...to go over" (Remastered) 5

109

2

110

Ballade No. 1 in G Minor, Op. 23 - Insert 1 Take 1 [bars 6-9,'] (Remastered) 5

111

2

112

Ballade No. 1 in G Minor, Op. 23 - Insert 1 Take 1 [bars 6-163] (Remastered) 5

113

2

114

Ballade No. 1 in G Minor, Op. 23 - Insert 1 Take 1 [bars 162-177] (Remastered) 5

115

2

116

Ballade No. 1 in G Minor, Op. 23 - Insert 1 Take 1 [bars 177-190] (Remastered) 5

117

2

118

Ballade No. 1 in G Minor, Op. 23 - Insert 1 Take 1 [bars 188-229] (Remastered) 5

119

2

120

Ballade No. 1 in G Minor, Op. 23 - Insert 1 Take 1 [bars 228-250 (with false starts)] (Remastered) 6

121

2

122

Ballade No. 1 in G Minor, Op. 23 - Insert 1 Take 1 [bars 242-250] (Remastered) 6

123

3

124

Ballade No. 1 in G Minor, Op. 23 - Insert 1 Take 1 [bars 242-256] (Remastered) 6

125

3

126

Ballade No. 1 in G Minor, Op. 23 - Insert 1 Take 1 [bars 255-264 (end)] (Remastered) 6

127

3

128

Conversation:"Bravo! What shall I announce?" (Remastered) 6

129

3

130

Mazurka in E Minor, Op, 41, No. 1 - Take 1 (Remastered) 6

131

3

132

Conversation: "And another one" (Remastered) 6

133

3

134

Mazurka in B Minor, Op. 33, No. 4 [Excerpt] - Take 1 (Remastered) 6

135

3

136

Conversation: "...je vais le faire un peu.." (Remastered) 6

137

3

138

Mazurka in F-Sharp Minor, Op. 59, No. 3 - Take 1 (Remastered) 6

139

3

140

Conversation: "A peu près. C'est joli aussi" (Remastered) 7

141

3

142

Polonaise-fantaisie in A-Flat Major, Op. 61 - (Take 1, edited) (Remastered) 7

143

144

Horowitz Improvising (Remastered) 7

145

146

Conversation: "You want to hear something now?" (Remastered) 7

147

148

Toccata, Adagio and Fugue in C Major, BWV 564; I. Preludio, quasi improvisando. Tempo moderato 7

149

150

Conversation: "Would you like to hear it?" (Remastered) 7

151

152

Toccata Insert (Remastered) 7

153

154

Conversation: "It...it sounds better now" (Remastered) 7

155

156

Toccata, Adagio and Fugue in C Major, BWV 564; II. Intermezzo. Adagio 7

157

158

Conversation: "I will do only the beginning" (Remastered) 7

159

160

Toccata, Adagio and Fugue in C Major, BWV 564; III. Fuga. Moderamente scherzando, un poco umoristico 8

161

1

162

Conversation: "I played the whole one" (Remastered) 8

163

1

164

Fantasy in C Major, Op. 17; II. Mässig. Durchaus energisch 8

165

1

166

Conversation: "Very good. You want to play some more?" (Remastered) 8

167

1

168

Fantasy in C Major, Op. 17; III. Langsam getragen. Durchweg leise zu halten 8

169

1

170

Conversation: "Very beautiful" (Remastered) 8

171

1

172

Conversation: "Okay.. I will play just pieces" (Remastered) 8

173

1

174

Sonata in E Major, K. 380 (Remastered) 8

175

1

176

Prélude in G-Sharp Minor, Op. 32, No. 12 (Remastered) 8

177

1

178

3 Nouvelles études, B. 130: No. 2 in A-Flat Major (Remastered) 8

179

1

180

Étude in A-Flat Major, Op. 72, No. 11 (Remastered) 9

181

2

182

Valse oubliée No. 1 in F-Sharp Major, S. 215/1 (Remastered) 9

183

2

184

Étude in F Major, Op. 10, No. 8 (Remastered) 9

185

2

186

Piano Sonata No. 9 in F Major, Op. 68 "Black Mass" 9

187

2

188

Conversation: "You know that something is buzzing in the piano" (Remastered) 9

189

190

Conversation: "Listen, are we not further today?" (Remastered) 9

191

192

Conversation: "Mr. Frost" (Remastered) 9

193

194

Toccata, Adagio and Fugue in C Major, BWV 564; I. Preludio, quasi improvisando. Tempo moderato 9

195

196

Toccata, Adagio and Fugue in C Major, BWV 564; II. Intermezzo. Adagio 9

197

198

Toccata, Adagio and Fugue in C Major, BWV 564; III. Fuga. Moderamente scherzando, un poco umoristico 9

199

200

Conversation: "Okay, we're running" (Remastered) 10

201

202

Fantasie in C Major, Op. 17; I. Durchaus phantastisch und leidenschaftlich vorzutragen 10

203

204

Fantasie in C Major, Op. 17; II. Mässig. Durchaus energisch 10

205

206

Fantasie in C Major, Op. 17; III. Langsam getragen. Durchweg leise zu halten 10

207

1

208

Conversation: "Alright" (Remastered) 10

209

210

Conversation: "Yeah, the Vibration today" (Remastered) 10

211

212

Piano Sonata No. 9 in F Major, Op. 68 "Black Mass" (Remastered) 10

213

214

Conversation: "Hello, hello, Yeah?" (Remastered) 10

215

216

Poème in F-Sharp Major, Op. 32, No. 1 (Remastered) 10

217

218

Conversation: "Now I play the Étude of Chopin" (Remastered) 10

219

220

Etude in F Major, Op. 10, No. 8 (Remastered) 11

221

222

Conversation: "That will go better, later" (Remastered) 11

223

224

Mazurka in C-Sharp Minor, Op. 30, No. 4 (Remastered) 11

225

226

Mazurka in B Minor, Op.


Item UPC: 190759353325

Date First Available:

Label: MSWK

Vladimir Horowitz

Vladimir Horowitz - the Great Comeback


ABOUT THE ALBUM


Limited 15CD set. After an absence of twelve years, Vladimir Horowitz's return to the concert stage was one of New York s most exciting musical events. It was Sunday, May 9, 1965, when the great pianist stepped onto the stage of Carnegie Hall, greeted by a shouting, standing ovation. It was his first public performance since he had left the same stage on February 25, 1953. The recording of his recital would be awarded with three Grammy Awards and become one of the most successful classical albums. In the months before the historic day of May 9, Horowitz went to Carnegie Hall twice in January, twice in April to play for his wife and close friends, before he decided he was ready to perform publicly. Columbia Masterworks recorded these intimate private recitals, as well as his subsequent rehearsals for his return in 1966, on tape, and they have remained almost entirely unreleased for more than 50 years. The present edition invites the listener to enter the circle of the few Horowitz confidants who attended these events in the darkened, almost deserted hall: We hear Horowitz enjoying the freedom of improvisation in previously unheard, sparkling performances, his complete recordings in the brilliant sound of the concert hall, and many witty conversations recorded in an intimate working atmosphere. The 212-page photo book contains a vast collection of previously unseen photos by Don Hunstein, three new essays by Pulitzer Prize-winning music critic Tim Page, pianist Jed Distler and Horowitz scholar Bernard Horowitz, as well as facsimile images and full transcriptions of the conversations.

Check out these titles

The Great Divide

The Great Divide

Noah Kahan

The Movie, The Soundtrack, The Reformatted Edition

The Movie, The Soundtrack, The Reformatted Edition

Transformers

Everything's Falling

Everything's Falling

The Warning

The Wind

The Wind

Warren Zevon

Submarine

Submarine

The Marías

Homage

Homage

Tesla

bones

bones

Rainbow Kitten Surprise

Marrow Deep

Marrow Deep

Mastodon

Deadbeat

Deadbeat

Tame Impala

The Age of Everything

The Age of Everything

Johnny Marr