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First of All 2:01

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Perhaps the Principal Thing 1:39

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Let Me Start 0:53

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This Is Not Just a Sentimental Anecdote 1:52

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From This Time 2:29

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But How Do We Investigate 2:52

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Now You Can See 1:29

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Universality Is a Big Word 2:31

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Other Linguists 2:46 1

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I Began By Imagining Myself 2:12 1

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Well, Then I Thought 2:06 1

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Let's Make a Simple Analogy 2:03 1

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Maybe Even a Divine One 1:33 1

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But Where Do These Notes Come From? 2:22 1

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This Acoustical Phenomenon 2:08 1

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All These Upper Notes 1:52 1

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The First Overtone 2:33 1

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But More of That Later 1:56 1

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But Let's Not Make the Mistake 2:21 2

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And That's How the Tempered Clavichord 2:12 2

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Now This Is a Substantive Universal 2:01 2

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But Let's Be Careful 1:43 2

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And There Is Always That Blue Note 1:30 2

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But Even These Twelve Tones 1:57 2

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I Trust You Realize 2:16 2

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And Again Comes a Great Leap 2:32 2

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Now This Means 1:38 2

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This Is Not to Say That There Were No Drastic Changes 2:28 2

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But Meanwhile We Are Still in the Golden Age 2:55 3

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So, We're in the Midst of a Chromatic Adventure 1:28 3

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And All By Those Progressions 1:34 3

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Now, I Must Point Out 1:57 3

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Do You Realize 1:34 3

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I. Allegro Molto 8:18 3

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II. Andante 8:31 3

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III. Menuetto, Allegretto 4:36 3

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IV. Finale. Allegro Assai 6:08 3

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Every Once in a While 1:44 3

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Last Week 2:24 4

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Amen, Says Noam Chomsky 2:09 4

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I Suppose What Chomsky Is Really After 2:49 4

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So, Let's Pull Up Our Socks 1:36 4

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All Right, Let's Try Another One 2:08 4

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Why I Taking Your Time 2:11 4

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Well Then 1:48 4

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I Think It Follows 1:52 4

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But First, What Are These Principles 1:49 4

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Tranformational Grammar 1:36 4

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But Now Just Think of That Sentence 1:02 5

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Since This Is Not a Linguistics Class 1:49 5

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Take the Passive Transformation 1:51 5

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Well, It Hasn't Brought Us There 1:51 5

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Good - Now Just As Three Notes Are Linked Together 1:44 5

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Now Let's Go Back 1:49 5

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Now We Are Ready 2:27 5

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Now I Wanna Take You 2:05 5

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Well, Transformation, Deletion, Embedding, Pronominalization 1:49 5

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I Sure I Don't Have to Trouble 2:16 5

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Here I Go 1:30 6

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I Have Asked Myself 1:55 6

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I Became So Fascinated 1:42 6

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Let's Take One Such Utterance 2:00 6

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Now Imagine 1:29 6

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Now Let's See 2:32 6

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Mozart's G Minor Symphony 1:21 6

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Now Our Job Is 2:27 6

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That Introductory Accompaniment 1:26 6

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What Does This Three-Note Design Mean 1:55 6

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The Reason I Pick Symmetry 2:13 7

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Now from Here on 2:04 7

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And Once Again, We Are Back 1:10 7

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By Far the Chief Transformational Principle 1:42 7

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You See, One of the Great Failings 1:58 7

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Most People Hearing Mozart's Opening 1:46 7

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So What Your Ask 1:59 7

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And If You Are Still Not Convinced 2:32 7

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Thesebiguities 1:20 7

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For Instance, in This Same First Movement 1:59 7

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So All These Syntactic Transformations of the Same Material 1:14 8

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He Talks About This Sonnet 1:55 8

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Because Now It's Time 1:35 8

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But Now Let's Listen to 2:09 8

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Listen to the Whole Exposition 2:03 8

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Development Coming Up 2:08 8

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The Circle of Fifths Again 2:02 8

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And That Was All One Single Sentence 1:18 8

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The Other Day 2:37 8

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The First Would Show Us One Meaning 1:13 8

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Think of This Famous Passage 2:23 9

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A Linguist Would Say 1:52 9

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Well, I Replied, Chomsky Would Say 2:06 9

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Of Course, That Last Metaphorical Leap 1:50 9

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Terrific, Said My Blonde Inquisitor 1:44 9

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In Fact, When You Think of the Number 2:16 9

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All Right, First Let's Look Briefly 2:41 9

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Playing, That's the Word 1:48 9

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But Does This Stravinskian Game Concept 2:31 9

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There Are Three Specific Ways 2:03 9

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Now, Having Defined My Usages of Metaphor 1:59 10

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And Here We Are in Trouble 1:06 10

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Are We Feeling What Beethoven Supposedly Felt 1:45 10

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We Will Never Know 2:22 10

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Now, If We Accept This General Idea 1:40 10

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In Our Last Lecture 1:47 10

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We All Recognize Antithesis 1:46 10

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It Can and It Does 1:24 10

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And Again, As in the Poem 2:14 10

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In Fact, It Has Been Authoritatively Suggested 2:45 10

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We Can Expand the Idea 2:52 11

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What Do You Suppose 2:51 11

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What' Seriously Striking 2:16 11

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So Why the Pastorale on This Lecture 2:42 11

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Let's Begin at the Beginning 1:41 11

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But What of the More Obvious Melodic Material 1:48 11

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But to Develop How 2:37 11

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Now We Have An Insight 2:13 11

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But Wait 1:52 11

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But Why Were Just Those Two Notes Added 2:05 11

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The Metaphor Arises 2:48 12

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But in the Ensuing Four Bars 2:11 12

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But That's Not the Main Event 2:04 12

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Well, That's the Beginning 1:58 12

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That's One of the Questions 2:00 12

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This Interference of the Two Frequencies 2:04 12

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But What Are We to Say 1:40 12

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It Is to Be Found 1:39 12

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Now That's One Way of Looking 2:03 12

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At This Point 1:36 12

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Even If You Can Succeed 2:42 13

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I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo 11:05 13

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II. Scene Bach. Andante Molto Moto 13:42 13

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III. Lustiges Zusammensein Der Landleute. Allegro 5:27 13

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IV. Gewitter. Sturm. Allegro 3:43 13

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V. Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm. Allegretto 10:13 13

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When I First Wrote Down the Title 1:41 13

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Part of the Danger 2:02 13

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The Idea Ofbiguity 1:32 13

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Similarly, in Our Second Lecture 2:05 13

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Then What's the Magic Secret 2:53 14

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Enough Ofbiguity 1:52 14

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The Irony of All This 2:07 14

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But, Mind You 1:53 14

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Where Music Was Concerned 1:29 14

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Only Think of 1:58 14

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And Chopin Well We Can't Ignore Chopin 2:53 14

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And Then, in the Same Little Mazurka 1:57 14

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Foolish Questions 1:33 14

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Let Me Try to Read You 1:56 14

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Listen to This 1:45 15

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They Began to Intermingle 1:30 15

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The Pivotal Point 1:39 15

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So There Is a Dramatic Change 1:50 15

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So It Is After All Not So Surprising 2:31 15

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Now If You Noticed 1:40 15

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You See, the Music Is Trying Hard 1:44 15

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So That Instant in Musical Time 1:33 15

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Now Romeo Is All Stirred Up 3:00 15

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. Romeo Seul Tristesse - Bruits de Concerts Et de Bal - Grand Fete Chez Capulet Andante Malinconico E Sostenuto 4:28 15

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Allegro - Larghetto Espressivo - (Instrumental) 1:57 16

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Allegro - (Instrumental) 2:22 16

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Reunion Des Duex Themes, Du Larghetto Et de L'allegro (Instrumental) 3:42 16

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What a Piece 2:30 16

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Quite Unconsciously Borrowed 1:50 16

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My Purpose in All This 2:25 16

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Is It, Says Wagner 2:16 16

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Every Diminished Seventh Chord 1:23 16

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Now the Remarkable Thing Is 2:54 16

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And This Is What Gives Tristan 2:53 16

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Prelude and Love-Death (From 'Tristan and Isolde') 19:03 17

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:00:00 PM 17

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That May Be the Slowest Performance 2:26 17

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But Ultimately 1:38 17

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Poetry Has Begun to Show 1:40 17

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And When Debussy 1:37 17

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It's Lovely, This Dreaming 2:35 17

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For Example, Do You Remember 1:45 17

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In Fact, the Ending of This Piece 1:17 17

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Let Me Show You Briefly 2:07 17

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This New Episode That Proceeds 1:24 18

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For Instance, Hardly Have We Had Time 2:29 18

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Because the Scale 1:53 18

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It's Almost Exactly What Happens 1:51 18

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Literally Translated 1:35 18

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But Notice, Too, That the Example 1:34 18

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Both Works Have Definitive Beginnings 1:32 18

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Listen As I Play 1:49 18

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Prelude a L'apres-Midi D'un Faune, L. - Remastered 10:24 18

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Some Crazy Modern Music 1:04 18

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Our Lecture Tonight 0:18 19

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Rhapsodie Espagnole, M. IV. Feria 6:29 19

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What a Way to Enter the Twentieth Century 1:38 19

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But, If the Truth to Be Told 1:28 19

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These Troubling Presentiments 2:18 19

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So, Now in 2:12 19

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This Is Atonality 2:30 19

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A Charming Idea 0:28 19

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The Unanswered Question 5:23 19

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I That Luminous Final Triad 2:16 19

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I Have Recently Been Reading 1:59 20

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We Have Already Referred to Some of Those 3:02 20

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In Any Case 1:57 20

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But for All These Reasons 2:46 20

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Son of Tristan 2:31 20

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Now You Look at Those First Two Bars 2:20 20

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Of Course, There Are Lots 1:57 20

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It's As Though a New Covenant 1:40 20

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Trouble Is, That the New Musical Rules 2:22 20

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The Kind of Tonal Feeling 2:53 20

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Of Course, There Are Those Who Say 1:39 210.