1
24 Preludes, Op. 28: No. 1 in C Major
2
24 Preludes, Op. 28: No. 2 in a Minor
3
24 Preludes, Op. 28: No. 3 in G Major
4
24 Preludes, Op. 28: No. 4 in E minor
5
24 Preludes, Op. 28: No. 5 in D Major
6
24 Preludes, Op. 28: No. 6 in B minor
7
24 Preludes, Op. 28: No. 7 in a Major
8
24 Preludes, Op. 28: No. 8 in F-Sharp minor
9
24 Preludes, Op. 28: No. 9 in E Major
10
24 Preludes, Op. 28: No. 10 in C-Sharp minor
11
24 Preludes, Op. 28: No. 11 in B Major
12
24 Preludes, Op. 28: No. 12 in G-Sharp minor
13
24 Preludes, Op. 28: No. 13 in F-Sharp Major
14
24 Preludes, Op. 28: No. 14 in E-Flat minor
15
24 Preludes, Op. 28: No.15 in D-Flat Major, "Raindrop"
16
24 Preludes, Op. 28: No. 16 in B-Flat minor
17
24 Preludes, Op. 28: No. 17 in A-Flat Major
18
24 Preludes, Op. 28: No. 18 in F minor
19
24 Preludes, Op. 28: No. 19 in E-Flat Major
20
24 Preludes, Op. 28: No. 20 in C minor "Funeral March"
21
24 Preludes, Op. 28: No. 21 in B-Flat Major
22
24 Preludes, Op. 28: No. 22 in G minor
23
24 Preludes, Op. 28: No. 23 in F Major
24
24 Preludes, Op. 28: No. 24 in D minor
25
Prelude in C-Sharp minor, Op. 45
26
Prelude No. 26 in A-Flat Major, Op. Posth
27
Polonaise-Fantaisie in A-Flat Major, Op. 61
28
Fantaisie-Impromptu in C-Sharp minor, Op. 66
Item UPC: 190296690785
Date First Available:
Label: WARNER CLASSICS
ABOUT THE ALBUM
"Chopin is a composer who has been with me since I started playing the piano as a child. In Japan, where I grew up, it is impossible to avoid Chopin's music! He is one of the most popular composers for everybody, and all pianists start playing and getting to know his music from a very young age. Therefore, he becomes an essential part of your life very naturally. I have wanted to record the complete Preludes for a long time. It is always very interesting to approach works like this that are conceived as a whole - like the 24 Bach Preludes and Fugues or the Debussy Preludes. Each prelude is individual, and each is in a different tonality so the colour and characters are completely different, and as the structure of each individual prelude is relatively open there is a lot of freedom for interpretation." - Aimi Kobayashi
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