
1
Violin Concerto in D Major, Op. 77: I. Allegro Non Troppo (Cadenza By Kreisler)
2
Violin Concerto in D Major, Op. 77: II. Adagio (Cadenza By Kreisler)
3
Violin Concerto in D Major, Op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace (Cadenza By Kreisler)
4
Grand Duo Concertant, Op. 48, J. 204: I. Allegro Con Fuoco
5
Grand Duo Concertant, Op. 48, J. 204: II. Andante Con Moto
6
Grand Duo Concertant, Op. 48, J. 204: III. Rondo. Allegro
7
Violin Sonata in E-Flat Major, Op. 11 No. 1: I. Frisch
8
Violin Sonata in E-Flat Major, Op. 11 No. 1: II. Im Zeitmass Eines Langsamen, Feierlichen Tanzes
9
Violin Sonata No. 2 "Quasi Una Sonata"
10
Andante Con Variazioni on a Theme from Tancredi
11
Violin Concerto in D minor, Woo 23: I. in Kräftigem, Nich Zu Schnellem Tempo
12
Violin Concerto in D minor, Woo 23: II. Langsam
13
Violin Concerto in D minor, Woo 23: III. Lebhaft, Doch Nicht Schnell
14
Violin Concerto in D minor, Op. 47: I. Allegro Moderato
15
Violin Concerto in D minor, Op. 47: II. Adagio Di Molto
16
Violin Concerto in D minor, Op. 47: III. Allegro Ma Non Tanto
17
Violin Concerto in D Major, Op. 61: I. Allegro Ma Non Troppo
18
Violin Concerto in D Major, Op. 61: II. Larghetto
19
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro
20
Romance No. 1 in G Major, Op. 40
21
Romance No. 2 in F Major, Op. 50
22
Violin Concerto No. 2
23
Stille Nacht (Arr. Schnittke for Violin and Piano)
24
Gratulationsrondo
25
Violin Concerto No. 3: I. Moderato
26
Violin Concerto No. 3: II. Agitato
27
Violin Concerto No. 3: III. Andante
28
Smile (From "Modern Times")
29
Improvizzo for Violin and Piano "Un Diavolo Sentimentale"
30
Fantasy (From "Circus")
31
Tanti Anni Prima (From "Enrico IV)
32
Nostalghia. in Memory of Andrei Tarkovskij
33
Absalom's Death and Tango: Sketches (From "Sakat")
34
Suite from the Gadfly, Op. 97A: VIII. Romance (Arr. Atovmyan)
35
Le Beuf Sur Le Toit, Op. 58
36
Rag-Gidon-Time
37
Improvviso in D minor (From "Amanti Senza Amore")
38
String Trio: I. Moderato (Live)
39
String Trio: II. Adagio (Live)
40
Canon (Arr. Schnittke) [Live]
41
Concerto for Three: I. Moderato - Allegretto (Live)
42
Concerto for Three: II. (Live)
43
Concerto for Three: III. Largo (Live)
44
Concerto for Three: IV. (Live)
45
Minuet for Violin, Viola and Cello (Live)
46
Violin Concerto No. 1: I. Allegro Ma Non Troppo
47
Violin Concerto No. 1: II. Andante
48
Violin Concerto No. 1: III. Allegro Scherzando
49
Violin Concerto "To the Memory of An Angel": II. Conclusion
50
Silvestrov : Dedication : I Allegro Moderato Con Moto
51
Silvestrov : Dedication : II Moderato
52
Silvestrov : Dedication : III Moderato Con Moto
53
Silvestrov : Dedication : IV Andantino
54
Silvestrov : Dedication : V Allegretto
55
Silvestrov : Dedication : VI Andante
56
Silvestrov : Dedication : VII Moderato
57
Silvestrov : Post Scriptum : I Largo - Allegro - Allegretto
58
Silvestrov : Post Scriptum : II Andantino
59
Silvestrov : Post Scriptum : III Allegro Vivace ^1
60
Piano Concerto in a Minor, Op. 54: I. Allegro Affettuoso ^1
61
Piano Concerto in a Minor, Op. 54: II. Intermezzo. Andantino Grazioso ^1
62
Piano Concerto in a Minor, Op. 54: III. Allegro Vivace ^1
63
Violin Concerto in D minor, Woo 23: I. in Kräftigem, Nich Zu Schnellem Tempo ^1
64
Violin Concerto in D minor, Woo 23: II. Langsam ^1
65
Violin Concerto in D minor, Woo 23: III. Lebhaft, Doch Nicht Schnell ^1
66
Élégie for Violin and String Orchestra ^1
67
Fratres (1992 Version for Violin, String Orchestra and Percussion) ^1
68
Partita for Solo Violin, Op. 12: I. Präludium ^1
69
Partita for Solo Violin, Op. 12: II. Scherzo ^1
70
Partita for Solo Violin, Op. 12: III. Grave ^1
71
Partita for Solo Violin, Op. 12: IV. Toccata ^1
72
Partita for Solo Violin, Op. 12: V. Epilog ^1
73
Musica Dolorosa for String Orchestra ^1
74
Nevertheless, for Violin, Piano and String Orchestra ^1
75
2 Grasshopper Dances for Solo Violin: No. 1, Sad Dance ^1
76
2 Grasshopper Dances for Solo Violin: No. 2, Happy Dance ^1
77
Conversio, for Violin and Piano ^1
78
Violin Concerto in D Major, Op. 77: I. Allegro Non Troppo ^1
79
Violin Concerto in D Major, Op. 77: II. Adagio ^1
80
Violin Concerto in D Major, Op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace ^1
81
Double Concerto for Violin and Cello in a Minor, Op. 102: I. Allegro ^1
82
Double Concerto for Violin and Cello in a Minor, Op. 102: II. Andante ^1
83
Double Concerto for Violin and Cello in a Minor, Op. 102: III. Vivace Non Troppo ^1
84
Impressions D'enfance, Op. 28: No. 1, Ménétrier ^1
85
Impressions D'enfance, Op. 28: No. 2, Vieux Mendiant ^1
86
Impressions D'enfance, Op. 28: No. 3, Ruisselet Au Fond Du Jardin ^1
87
Impressions D'enfance, Op. 28: No. 4, L'oiseau en Cage Et Le Coucou Au Mur ^1
88
Impressions D'enfance, Op. 28: No. 5, Chanson Pour Bercer ^1
89
Impressions D'enfance, Op. 28: No. 6, Grillon ^1
90
Impressions D'enfance, Op. 28: No. 7, Lune A Travers Les Vitres ^1
91
Impressions D'enfance, Op. 28: No. 8, Vent Dans la Cheminée ^1
92
Impressions D'enfance, Op. 28: No. 9, Tempête Au-Dehors, Dans la Nuit ^1
93
Impressions D'enfance, Op. 28: No. 10, Lever de Soleil ^1
94
Violin Sonata No. 2, WV 91: I. Allegro Impetuoso ^1
95
Violin Sonata No. 2, WV 91: II. Andante ^1
96
Violin Sonata No. 2, WV 91: III. Burlesca. Allegretto ^1
97
Violin Sonata No. 2, WV 91: IV. Finale. Allegro Risoluto ^1
98
Violin Sonata No. 2, SZ. 76: I. Molto Moderato ^1
99
Violin Sonata No. 2, SZ. 76: II. Allegretto ^1
100
2 Grasshopper Dances for Solo Violin: No. 1, Sad Dance ^1
101
2 Grasshopper Dances for Solo Violin: No. 2, Happy Dance ^1
102
Pastorale (1933 Version for Violin and Wind Quartet) ^1
103
Violin Concerto No. 4: I. Andante ^1
104
Violin Concerto No. 4: II. Vivo - Cadenza Visuale ^1
105
Violin Concerto No. 4: III. Adagio ^1
106
Violin Concerto No. 4: IV. Lento - Cadenza Visuale ^1
107
A Symphonic Prose from the Blackamoor of Peter the Great: Introduzione ^1
108
A Symphonic Prose from the Blackamoor of Peter the Great: Playing Dice ^1
109
A Symphonic Prose from the Blackamoor of Peter the Great: Beginning of the Ballet ^1
110
A Symphonic Prose from the Blackamoor of Peter the Great: First Ballet ^1
111
A Symphonic Prose from the Blackamoor of Peter the Great: Second Ballet ^1
112
A Symphonic Prose from the Blackamoor of Peter the Great: Third Ballet "Hymn to Eros" ^1
113
A Symphonic Prose from the Blackamoor of Peter the Great: Fourth Ballet ^1
114
A Symphonic Prose from the Blackamoor of Peter the Great: Toccatina ^1
115
A Symphonic Prose from the Blackamoor of Peter the Great: Dances of the Skomorokhs ^1
116
A Symphonic Prose from the Blackamoor of Peter the Great: Les Adieux ^1
117
A Symphonic Prose from the Blackamoor of Peter the Great: Coda ^1
118
The Sleeping Beauty, Op. 66: No. 15B, Aurora's Variation (Arr. Stravinsky) ^1
119
The Sleeping Beauty, Op. 66: No. 18, Entr'acte (Arr. Stravinsky) ^1
120
Funeral Games in Honor of Chronos for Flutes, Piano and Percussion ^1
121
MarÃa de Buenos Aires, Part 1, Scene 1: Alevare (El Duende) ^1
122
MarÃa de Buenos Aires, Part 1, Scene 2: Tema de MarÃa ^1
123
MarÃa de Buenos Aires, Part 1, Scene 3A: Balada Renga Para Un Organito Loco (El Duende, Payador, Chorus) ^1
124
MarÃa de Buenos Aires, Part 1, Scene 3B: Yo Soy MarÃa (MarÃa) ^1
125
MarÃa de Buenos Aires, Part 1, Scene 4: Milonga Carrieguera Por MarÃa la Niña (GorrÃon, MarÃa) ^1
126
MarÃa de Buenos Aires, Part 1, Scene 5: Fuga y Misterio ^1
127
MarÃa de Buenos Aires, Part 1, Scene 6: Poema Valseado (MarÃa) ^1
128
MarÃa de Buenos Aires, Part 1, Scene 7: Toccata Rea (El Duende) ^1
129
MarÃa de Buenos Aires, Part 1, Scene 8: Misere Canyengue de los Ladrones Antiguos en Las Alcantarillas (Antiguo Ladrón, MarÃa
130
MarÃa de Buenos Aires, Part 2, Scene 9: Contramilonga a la Funerala Por la Primera Muerte de MarÃa (El Duende) ^1
131
MarÃa de Buenos Aires, Part 2, Scene 10: Tangata Del Alba ^1
132
MarÃa de Buenos Aire
Item UPC: 190295116422
Date First Available:
Label: WARNER CLASSICS
ABOUT THE ALBUM
Gidon Kremer avoids the well-trodden paths of the musical world as he explores it with styleand sensitivity. Harnoncourt's fellow researcher, Argerich's soulmate, an early champion ofSchnittke and Pärt - Kremer combines a passion for freedom with a quest for authenticity, as isrevealed in the recordings he made over a period of two decades for EMI, Teldec and Erato.
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