Berlioz / Ehnes / Melbourne Symphony Orchestra - Orchestral Works vinyl record cover

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Intrata Di Rob-Roy Macgregor

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Reverie Et Caprice, Op. 8

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Harold En Italie, Op. 16, H 68: I. Harold Aux Montagnes. Scenes De Melancolie, De Bonheur Et De Joie: Adagio

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Harold En Italie, Op. 16, H 68: II. Marche De Pelerins Chantant La Priere Du Soir: Allegretto

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Harold En Italie, Op. 16, H 68: III. Serenade D'un Montagnard Des Abruzzes A Sa Maitresse: Allegro Assai

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Harold En Italie, Op. 16, H 68: IV. Orgie De Brigands. Souvenirs Des Scenes Precedentes: Allegro Frenetico


Item UPC: 095115515525

Date First Available:

Label: CHANDOS

Berlioz / Ehnes / Melbourne Symphony Orchestra

Orchestral Works

CD


ABOUT THE ALBUM


The virtuosic, 9-time Juno-winning Canadian James Ehnes is centre stage in this new recording of orchestral works by Hector Berlioz with the Melbourne Symphony conducted by Sir Andrew Davis. This recording mirrors an extraordinarily rare concert held in November 2014 with the same forces, in which James Ehnes played two Stradivarius, respectively a viola in the solo part of Harold en Italie - 'symphony with a principal viola part' in Berlioz's words - and a violin for the solo in Rêverie et Caprice, both of which feature here. Berlioz was never ashamed to recycle his music from one work to another, especially when the earlier work had been rejected by the public or by the composer himself. In 1834, Paganini asked Berlioz for a work in which he could display his power on a fine Stradivarius viola. Berlioz then composed the four-movement Harold en Italie Symphony, incorporating passages from the Rob-Roy overture which he had recently rejected.Similarly, Rêverie et Caprice was the form eventually given to an aria from the opera Benvenuto Cellini, unceremoniously booed in Paris in 1838. Berlioz transformed it into a violin solo piece three years later, becoming the only piece he ever wrote for solo violin.

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