
1
6 Songs, Op. 38: No. 1, In My Garden At Night
2
6 Songs, Op. 38: No. 2, To Her
3
6 Songs, Op. 38: No. 3, Daisies
4
6 Songs, Op. 38: No. 4, The Rat-Catcher
5
6 Songs, Op. 38: No. 5, A Dream
6
6 Songs, Op. 38: No. 6, A-U!
7
7 Songs, Op. 13: No. 4, Våren Flyktar Hastigt
8
6 Songs, Op. 36: No. 4, Säv, Säv, Susa
9
5 Songs, Op. 37 (Excerpts): No. 5, Flickan Kom Ifrån Sin Älsklings Möte
10
5 Songs, Op. 37 (Excerpts): No. 4, Var Det En Dröm?
11
6 Songs, Op. 48: No. 1, Gruß
12
6 Songs, Op. 48: No. 2. Dereinst, Gedanke Mein
13
6 Songs, Op. 48: No. 3, Lauf Der Welt
14
6 Songs, Op. 48: No. 4, Die Verschwiegene Nachtigall
15
6 Songs, Op. 48: No. 5, Zur Rosenzeit
16
6 Songs, Op. 48: No. 6, Ein Traum
17
6 Mélodies, Op. 65, Th 108: No. 1, Sérénade
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6 Mélodies, Op. 65, Th 108: No. 2, Déception
19
6 Mélodies, Op. 65, Th 108: No. 3, Sérénade
20
6 Mélodies, Op. 65, Th 108: No. 4, Qu'importe Que L'hiver
21
6 Mélodies, Op. 65, Th 108: No. 5, Les Larmes
22
6 Mélodies, Op. 65, Th 108: No. 6, Rondel
23
9 Goethe-Lieder, Op. 6: No. 2, Mailied
24
12 Goethe-Lieder, Op. 15: No. 7, Meeresstille
25
The Poet's Echo, Op. 76: No. 1, Echo
26
The Poet's Echo, Op. 76: No. 2, My Heart
27
The Poet's Echo, Op. 76: No. 3, Angel
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The Poet's Echo, Op. 76: No. 4, The Nightingale And The Rose
29
The Poet's Echo, Op. 76: No. 5, Epigram
30
The Poet's Echo, Op. 76: No. 6, Lines Written During A Sleepless Night
Item UPC: 095115215326
Date First Available:
Label: CHANDOS
Lines Written During Sleepless / Various
Lines Written During Sleepless
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ABOUT THE ALBUM
The soprano Louise Alder has been described as 'the brightest lyric soprano of the younger generation' (The Arts Desk),'a born actress' (Opera), and as having 'a voice of sparkling beauty' (Gramophone). In this her debut recording for Chandos, she and her pianist, Joseph Middleton, have devised an unusual but rewarding programme that explores the works of six contrasting composers. As she writes in her booklet note: 'When Joseph suggested making an album of Russian songs, including Russian composers who set poems in other languages, I jumped at the challenge. The more we discussed the repertoire, the more amazed I was to see how well it fitted with my own family history. In 1916 (the same year that Rachmaninoff composed the Opus 38 songs), huge political unrest forced my great-grandparents and family to flee, shutting up the house in Odessa, travelling 1,687 km north by rail to St Petersburg, and then by sleigh into Finland, through Norway, and back to Britain. It is my pleasure to be able to honor my family's Russian connection with this meandering sleigh ride through Russia, with songs in Russian, French, and German, into Finland, in Swedish, and Norway, in German, back to the UK for a cycle of Britten songs in Russian.'
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