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Symphony No. 92 In G Major, Hob.I:92 "Oxford" (Transcr. C.D. Stegmann For Piano): I. Adagio - Allegro Spirito
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Symphony No. 92 In G Major, Hob.I:92 "Oxford" (Transcr. C.D. Stegmann For Piano): II. Cantabile
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Symphony No. 92 In G Major, Hob.I:92 "Oxford" (Transcr. C.D. Stegmann For Piano): III. Menuetto
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Symphony No. 92 In G Major, Hob.I:92 "Oxford" (Transcr. C.D. Stegmann For Piano): IV. Finale. Presto
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Symphony No. 75 In D Major, Hob.I:75 (Transcr. C.D. Stegmann For Piano): I. Grave - Presto
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Symphony No. 75 In D Major, Hob.I:75 (Transcr. C.D. Stegmann For Piano): II. Andante Con Variazioni
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Symphony No. 75 In D Major, Hob.I:75 (Transcr. C.D. Stegmann For Piano): III. Menuetto
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Symphony No. 75 In D Major, Hob.I:75 (Transcr. C.D. Stegmann For Piano): IV. Finale. Vivace
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Symphony No. 44 In E Minor, Hob.I:44 "Trauer" (Transcr. C.D. Stegmann For Piano): I. Allegro Con Brio
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Symphony No. 44 In E Minor, Hob.I:44 "Trauer" (Transcr. C.D. Stegmann For Piano): II. Menuetto
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Symphony No. 44 In E Minor, Hob.I:44 "Trauer" (Transcr. C.D. Stegmann For Piano): III. Adagio Ma Non Troppo
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Symphony No. 44 In E Minor, Hob.I:44 "Trauer" (Transcr. C.D. Stegmann For Piano): IV. Finale. Presto
Item UPC: 095115214220
Date First Available:
Label: CHANDOS
Ivan Ilic Plays Haydn
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ABOUT THE ALBUM
Ivan Ilic came across these transcriptions, scarcely known at all, through the most unlikely and serendipitous sequence of events. Carl David Stegmann (1751 - 1826) was a tenor, keyboard player, conductor, and composer, who worked mostly in the field of opera. Employed by the Court Theatre in Mainz (where he sang in the first German-language production of Don Giovanni), he also gave a number of acclaimed performances in Frankfurt. Trained as an organist, he made transcriptions of string quintets by Mozart and Beethoven's Trios, Op. 9 as well as keyboard transcriptions of twenty-five of Haydn's symphonies. Ivan Ilic writes: 'It is unclear to me whether these transcriptions were ever meant to be played as concert repertoire, in public. Nevertheless, the enthusiasm I have encountered wherever I have played them has persuaded me to make this recording, to allow more people to hear Stegmann's idiomatic arrangements.'
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