3,5,8

It was his move to New York City that led to the development of the music on 3, 5, 8. While completing his master's degree in jazz studies at New York University, Duvignau was able to meet a number of musicians who would help shape his sound and approach to composing. Duvignau was introduced to Argentinean pianist Santiago Leibson at a recording session and they hit it off immediately. Leibson called the great drummer, Jeff Hirshfield, for one of their initial meetings and the three found a quick rapport as they began to play regular sessions and a handful of gigs. // While at NYU, Duvignau studied with the illustrious saxophonist Billy Drewes. Drewes was an inspiration, not only for his incredible playing, but for his compositional practice. The young bassist had become burnt out by writing highly involved compositions. Drewes recommended the practice of writing every day, no matter what came out. This helped Duvignau break through his writer's block and focus on developing a simpler, more spontaneous compositional style. // When the opportunity to record came about, Duvignau wanted to form a unit of openminded and flexibly expressive players. He invited his trio mates, Leibson and Hirshfield, and added Drewes. Duvignau also brought in German guitarist and fellow Berklee alum Elias Meister to bring a blues-inflected energy into the quintet's mix.