
1
Lp1-Side A
2
Porque Me Falta Su Rostro
3
Largas Sombras
4
Del Santo Nombre
5
Sobre Sus Costales
6
Lamentos de Arena
7
Side B
8
Eco de los Pecados
9
Entre Espinos
10
Procesión de Sombras
11
Corona de Siete Azahares
12
Lp2-Side C
13
Vivo
14
Palacio de los Setillos
15
Empedrado de los Suspiros\Súbita CaligrafÃa de Plata
16
Nuestra Madre
17
Side D
18
Cante Desde Lo Profundo
19
Calle de los Velatorios
20
Rostros Ausentes
21
De Blanca Mantilla
22
Lp3-Side E
23
Bajo Las Olas Negras
24
Acero Brillante de Sal
25
Clavada
26
Su Eminencia
27
Alzada Sobre los Hombros
28
Cinco Palomas
29
Side F
30
Dos Lunas
31
Fermosa Fembra
32
Padre de los Penitentes
33
La Devoción Se Hizo Carne
34
El Segundo Salmo
35
Lienzo de la Luz y El Tiempo
36
JardÃn de Altos Coros
37
Lp4-Side G
38
Canción de Espinas
39
Descanso de Hielo
40
Semblante Cautivo
41
Santa Vigilia
42
Maestro MÃo
43
Side H
44
Nuestras Cenizas
45
Desencanto
46
El Vibrar de los Órganos
47
Sus Ojos Sellados
Item UPC: 5063176123619
Date First Available:
Go Live Date:
Label: LACED RECORDS
Carlos Viola (Dlx)
Blasphemous 2: The Original Game Soundtrack
Deluxe
Vinyl
ABOUT THE ALBUM
The Miracle gives birth to a new child, as The Game Kitchen and Laced Records bear forth the hallowed soundtrack for Blasphemous II on blessed vinyl.All music has been specially mastered for vinyl and will be pressed to heavyweight discs. The first three discs cover the complete base game OST, while the final disc contains curated selections from the Mea Culpa and The Third Sin DLC soundtracks. Bespoke slipcase cover artwork is by illustrator Ãlvaro Jiménez, while inner sleeve artwork is by The Game Kitchen's Jesús Campos ""Nerkin"".The music of Blasphemous II does more than just colour the setting: it breathes life into it. Rousing marches, elegiac laments, and processional dirges echo out from crumbling cathedrals and across blasted landscapes, creating the sense of a world that feels truly lived in. Throughout, composer Carlos Viola filters his own experiences of visceral Flamenco performances and devotional music through the lens of gothic fantasy. ""Corona de Siete Azahares"" soars from the parapets of high towers, buffeted by dueling guitars and propulsive snare rolls. ""Del Santo Nombre"" in contrast provides a moment of quiet introspection, forlorn piano melodies creeping across flagstones while looming strings cast long shadows. Perhaps the most surprising moments come in the form of Viola's choice of boss fight themes, for instance with the Lynchian ambience of ""Cante Desde Lo Profundo""; or the ever-increasing percussive intensity of ""Súbita CaligrafÃa de Plata"".
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