
1
The New Redskin Rhumba
2
Cherokee
3
Bunny
4
Atlantic Jump [Atlantic Hop]
5
Caravan
6
At the Darktown Strutters Ball
7
I Cover the Waterfront
8
Sweet Lorraine
9
Deep Purple
10
Jubilee Jump
11
Juice Head Blues
12
Blue Lou
13
East Side, West Side (Sidewalks of New York)
14
My Old Flame
15
Moods
16
Budandy
17
Charleston Alley
18
Pompton Turnpike
19
Rockin' in Rhythm
20
The Gal from Joe's
21
Southern Fried
22
Little John Ordinary
23
Dirty Rotten Shame Blues
24
Blue Moon
25
Eugipelliv
26
Lonely Street
27
Cu-Ba
28
Easy Living
29
Charlie's Other Aunt
30
Overtime
31
O'Henry
32
Portrait of Edward Kennedy Ellington Parts 1 ; 2
33
Rhapsody in Blue
34
Be-Bop Spoken Here
35
Gloomy Sunday
36
Over the Rainbow
37
All the Things You Are
38
Ill Wind
39
Pan Americana
40
Claude Reigns
41
Really'
42
Spain
43
My Crime
44
Theme for Cynthia
45
I'm a Dreamer, Aren't We All'
Item UPC: 824046334529
Date First Available:
Label: ACROBAT
Charlie Barnet
Collection 1946-50
Buying from Dearborn Music
CD
$16.99
$24.11 including shipping and handling (rates may vary)
Only in stock at this store!
ABOUT THE ALBUM
Saxophonist and playboy bandleader Charlie Barnet led one of the most swinging of the big bands during the 1930s and '40s, always disliking the popular 'sweet' orchestral music of that era, and pioneering a hard swinging approach as he fully integrated himself into his bands as an instrumentalist. Acrobat has already covered those eras of his career with our releases "Leapin' At The Lincoln" (FABCD134) and "The Charlie Barnet Collection 1935-47" (FADCD2039), and this great value 45-track 2-CD set deals with the next few years of his recording career, as he recorded variously for the National, Aladdin and Capitol labels from 1946 through to 1950. It only involves one track duplication with the material on our 1935-47 collection. It comprises most of the titles recorded at the dozen or so sessions he recorded during these years, and which came out on singles. Like all musicians he could not record during 1948 because of the American Federation of Musicians' recording ban. It features some noted musicians in his line-ups, including the likes of Shorty Rogers, Barney Kessel, Neal Hefti, Clark Terry, Doc Severinson, Maynard Ferguson and Manny Albam. It includes some new arrangements of material which he popularised in his earlier Bluebird recordings. For lovers of Barnet's music and classy big band music in general, this is an enjoyable and as about as thorough a collection of his studio work during this era as can be accommodated in a 2-CD set.
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