1
Mass: No. 2, Hymn & Psalm. A Simple Song (Arr. For Voice, Flute, Electric Guitar, Harp & Organ)
2
12 Poems Of Emily Dickinson: No. 10, I've Heard An Organ Talk Sometimes (Arr. For Voice & Organ)
3
114 Songs: No. 42, Serenity (Arr. For Voice & Organ)
4
Symphony No. 3 In D Minor: V. Lustig Im Tempo Und Keck Im Ausdruck (Arr. For Voice & Organ)
5
Symphony No. 2 In C Minor "Resurrection": IV. Urlicht (Arr. For Voice & Organ)
6
3 Lieder, Op. 29, Trv 172: No. 1, Traum Durch Die Dämmerung (Arr. For Voice & Organ)
7
4 Lieder, Op. 27, Trv 170: No. 4, Morgen! (Arr. For Voice, Violin, Harp & Organ)
8
My Heart's In The Highlands
9
Requiem, Op. 9: V. Pie Jesu (Arr. For Voice, Cello & Organ)
10
3 Mélodies (Arr. For Voice & Organ): No. 1, Pourquoi?
11
3 Mélodies (Arr. For Voice & Organ): No. 2, Le Sourire
12
3 Mélodies (Arr. For Voice & Organ): No. 3, La Fiancée Perdue
13
Priez Pour Paix, Fp 95 (Arr. For Voice & Organ)
14
Requiem: VI. Agnus Dei
15
Es Sang Vor Langen Jahren
16
Ave Maria III, S. 60 (Version For Voice & Organ)
17
Climb Ev'ry Mountain (From "The Sound Of Music") [Arr. For Voice & Organ]
Item UPC: 7318599923277
Date First Available:
Label: BIS
Copland / Otter / Messiaen
Simple Song
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CD
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ABOUT THE ALBUM
A brief glance at the list of contents is enough to reveal who the singer is - only Anne Sofie von Otter could have come up with a programme as varied and wide-ranging. And only von Otter could hold it together seamlessly by finding the resonances between these very different pieces, and bringing them out with a rare ability of embracing different singing styles and expressive registers: to paraphrase Bernstein in his A Simple Song, Anne Sofie von Otter never fails to 'sing like she likes to sing'. From Liszt to Pärt and from Mahler's Resurrection Symphony to Richard Rodgers' Sound of Music, von Otter is supported by her long-time accompanist Bengt Forsberg, here at the organ instead of his usual piano. At various points in the programme they are joined by a number of musical friends, in the organ loft of St James's Church in central Stockholm - the very church where the young von Otter began her singing career as a chorister and, together with Forsberg, gave one of her very first public concerts.
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